Search - Dolly Varden :: Panic Bell (Dig)

Panic Bell (Dig)
Dolly Varden
Panic Bell (Dig)
Genres: Country, Pop, Rock
 
  •  Track Listings (10) - Disc #1

Though the Chicago band often finds itself linked with roots rock and alternative country, its first release in five years (following some side projects during the hiatus) is steeped in the influence of 1960s rock classici...  more »

     
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CD Details

All Artists: Dolly Varden
Title: Panic Bell (Dig)
Members Wishing: 3
Total Copies: 0
Label: Undertow Music
Original Release Date: 1/1/2007
Re-Release Date: 4/17/2007
Genres: Country, Pop, Rock
Styles: Americana, Roots Rock
Number of Discs: 1
SwapaCD Credits: 1
UPC: 722560103822

Synopsis

Amazon.com
Though the Chicago band often finds itself linked with roots rock and alternative country, its first release in five years (following some side projects during the hiatus) is steeped in the influence of 1960s rock classicism in general and the Beatles in particular. The heart of the band's music remains the husband-and-wife harmonies of Steve Dawson and Diane Christiansen, on material predominantly written by Dawson (though Christiansen's "Small Pockets" is a dark, delicate highlight). The opening "Complete Resistance" sounds like George Harrison playing Southern soul licks, while "Everything" and "You Never Will" are buoyant, propulsive pop at its most ebullient. "Sad Panda Clown's Lament" echoes a Beach Boys chorale, and "Triumph Mine, Idaho" kicks like the Rolling Stones before "Good Provider" provides a benediction. It's an album devoid of both weak material and rootsy twang. --Don McLeese
 

CD Reviews

Let the accolades begin
Niall | San Francisco | 04/25/2007
(5 out of 5 stars)

"This CD was released on my birthday and what a present it is!



While not really doing anything that hasn't been done before, Dolly Varden infuses its songs with great lyrics with just the right amount of self-rightousness, wonderful arrangements, and excellent musicianship. Hard to believe they are practically unknown outside of alternative country rock circles.



For the uninitiated, Dolly Varden plays an understated brand of rootsy rock with leanings toward country, pop and soul...but is never afraid to launch into propulsive rock and roll. This band has garnered rave reviews with all of its releases--likely to continue with this, its best release yet.



The Panic Bell is more fully realized than the excellent Forgiven Now. You can feel the care and passion that went into this release. Every song sounds fresh. Hard to pick favorites but Good Provider, Complete Resistance, The Truth Is Told and Your Last Mistake shine.



I hope a West Coast tour is in the offing."
A nearly flawless album and one of 2007's best
Jenifer Reinking | Fort Wayne, IN | 06/14/2007
(5 out of 5 stars)

"in this modern age of recorded music, where the convenience of downloading has turned the music business back into a singles-based market, DV's 'the panic bell' proves that just because albums as a whole aren't selling like they used to doesn't mean that musicians aren't striving to put out collections of quality songs, sequenced and arranged with care. while the band has been putting out critically-praised albums and touring with a constant line-up for over a decade, dolly varden refuses to fall into the trap of creating the same album over and over.



from the opening notes of 'the panic bell', it is obvious that this is not a band to be pigeonholed into one specific genre. "complete resistance" and "everything", the first two tracks on the album, along with "you never will", which appears later on the disc, show the band at their most energetic and soulful. vocalist and songwriter steve dawson's vocals still retain a southern blue-eyed soulfulness that rivals alex chilton at his best. diane christiansen, dawson's wife and a fine songwriter in her own right, adds glorious complementary harmonies to steve's tracks which never seem contrived or superfluous.



the album never stays in one genre too long, leaving the listener to wonder just where the band is going next. on moments like "triumph mine, idaho", with its rocking, rave-up ending, "your last mistake", with hints of laurel canyon laid-back folk rock, and "all gonna change", with building harmonic intensity, dolly varden shows the band's appreciation for classic rock riffs and pop hooks. during these numbers, one can invision the band sounding amazing coming through a transistor radio speaker. dawson, again, accented by christiansen, floats over the music with the easy soulful vibe, but shows a different texture in these more traditional rock numbers, sounding more like marshall crenshaw or lindsey buckingham than van morrison or otis redding, but with no less sincerity or skill.



while dawson is the central vocalist on much of the album, christiansen's lead vocals on tracks including the angelic but mournful "the truth is told" and the subtle but effective social commentary "small pockets" are thoughtful contrasts to the more upbeat rock and soul thread that runs through much of the record. music fans that appreciate female vocals without trills and octave-jumping can find a great deal to latch on to in christiansen's strong but feminine voice.



beyond the vocal and songwriting talents of dawson and christiansen, the musicianship on 'the panic bell' is extraordinary without being showy. mark balletto again shows that he truly is one of chicago's best guitar players and that his strong live performances translate well to recording. the need for solid bass lines to create the soul core of the album is unfailingly accomplished by mike bradburn, and matt thobe's steady timekeeping holds the sound together while still remaining interesting and serving the diversity of the album's content.



while one should listen to the band's entire catalog to fully appreciate the scope of dolly varden's talent, 'the panic bell' is a fine showcase of a band that shows a great deal of growth as a musical unit, an understanding of what makes an album feel whole, and a mastery of a sound that is as warm as a live performance and, yet, professional without feeling overproduced.

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