Pierre Boulez

Béla Bartók: The Wooden Prince / Cantata Profana - John Aler / John Tomlinson / Chicago Symphony Orchestra & Chorus / Pierre Boulez

Bela Bartok, Pierre Boulez, Chicago Symphony Orchestra
Béla Bartók: The Wooden Prince / Cantata Profana - John Aler / John Tomlinson / Chicago Symphony Orchestra & Chorus / Pierre Boulez
Genre: Classical

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CD Details

All Artists: Bela Bartok, Pierre Boulez, Chicago Symphony Orchestra, John Aler, John Tomlinson
Title: Béla Bartók: The Wooden Prince / Cantata Profana - John Aler / John Tomlinson / Chicago Symphony Orchestra & Chorus / Pierre Boulez
Members Wishing: 0
Total Copies: 1
Label: Deutsche Grammophon
Release Date: 11/10/1992
Genre: Classical
Styles: Opera & Classical Vocal, Ballets & Dances, Ballets, Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 028943586320, 002894358632

Synopsis

Amazon.com

Pierre Boulez has recorded all of this music before, and very successfully. Those recordings are available at mid-price on Sony, and though the recorded sound is a bit better on these newer discs, you can't really go wrong either way. Boulez has always brought a special measure of incisiveness and clarity to Bartók, sometimes at the cost of a certain emotional warmth--but that's not a criticism that applies to this pair of immaculately played performances. The Chicago Symphony Orchestra knows this music as well as any orchestra in the world, and its chorus is one of the country's finest. So if the coupling appeals to you, go for it! --David Hurwitz

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CD Reviews

Great Offering by two of my favorites.

B. Marold | Bethlehem, PA United States | 03/16/2007

(5 out of 5 stars)

"Long before I started appreciating Stravinsky, Bartok was my favorite 20th century composer, mostly on the strength of his piano concerti and his Music for Strings, Percussion, and Celesta, plus his adaptation of Hungarian folk music (being 1/2 Hungarian helped a lot here). So, it's surprising it took me so long to discover these works, but what a discovery they are, especially in the hands of the preeminant conductor of modern music, Maestro Boulez. I am not a great fan of ballet performances, but this music (as with Stravinsky's 'The Rites of Spring') really make me interested in seeing this 'Ballet pantomine' performed. This is also easily more interesting than some of Bartok's other works, such as the first piano concerto."