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Tutta bravura: Virtuoso Showpieces for Violin and Piano
Repin, Markovich
Tutta bravura: Virtuoso Showpieces for Violin and Piano
Genres: Dance & Electronic, Pop, Classical
 
  •  Track Listings (11) - Disc #1

This program is an exercise in pure virtuosity, and it is breathtaking. It includes some of the most horrendously difficult showpieces in the repertoire, containing every imaginable--and some unimaginable--violinistic effe...  more »

     
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Amazon.com
This program is an exercise in pure virtuosity, and it is breathtaking. It includes some of the most horrendously difficult showpieces in the repertoire, containing every imaginable--and some unimaginable--violinistic effects, such as simultaneous left-hand plucking and bowing, harmonics and double harmonics, double and triple stops, to say nothing of runs across the whole fingerboard at top speed. The violin seems to be called upon to do everything but turn somersaults. Especially stunning are two unaccompanied pieces: a set of variations by Paganini and Ernst's paraphrase of Schubert's song "Der Erlkönig," which Repin himself calls the technically most demanding violin piece ever written, as well as Paganini's Moses Fantasy, played entirely on the G string, tuned two notes up for greater brilliance. Repin performs all these acrobatics with an effortless ease that must be heard to be believed, playing with flair, perfect timing, and incomparable charm. Most amazing, he actually makes them sound like music and seems to be having fun besides. His tone is pure, beautiful, expressively inflected, and--though many of the pieces are of questionable musical value--his elegance keeps them from sounding cheap or corny. --Edith Eisler
 

CD Reviews

I Cannot Ignore My Ears
ajkim1 | Chicago, Il USA | 06/27/2000
(3 out of 5 stars)

"I am in accord with the Grammophone review of the album of violin delicacies performed by young and burgeoning Russian soloist, Vadim Repin. All in all, I cannot add anything in positive to a review that was so complete. His rawness is appealing. His phrasing tasteful and even refreshing. A violinists, violinist. Yet I have a problem. Intonational problems are evident all throughout the album. It may have been the recording style that was used, or some tweaking or lack thereof in the studio that had altered some intonation. Or then again, I could be going tone deaf. Specifically on the Zapateado track, he is missing a lot of harmonics and the arpeggio's are a bit sloppy. Sustained notes tail off in artistic phrasing, but lack intonational stability. An old violin teacher of mine once said, "never stop listening to what you are playing." I am wondering if Repin or the engineers at ERATO were really listening to the final tracks?"
A Must for Any Violin Music lover
Fosdick Fong | Calgary, Alberta Canada | 07/10/2004
(5 out of 5 stars)

"This is truly an excellent CD, a must for any violin music lover. If you are learning the violin, you may feel that you still have a very long way to go; but because of Repin's inspiration, you know it is not impossible. The sound quality is also excellent. Any violin music lover will regret for not having listened to this one."