Steven M. Koning | Falls Church, Virginia USA | 06/11/2001
(5 out of 5 stars)
"Another reviewer wrote " From the first chord to the last, 'Minimum Wage...' rocks like few recordings have since it's release then OR now." I can't agree more. I was stuck driving on two modestly long road trips the past two weekends. The only tape I had was this album. Listened to it at least 10 times and marvelled every time... wondering how come these guys never made it to the top."
The 80's In a Nutshell
Alf Kremer | Denver CO | 02/02/2000
(4 out of 5 stars)
"If you've wondered what music sounded like in the early 80's, this CD will pretty much tell you everything. These guys try their hand at a bunch of different styles, and succeed handily at most of them. "Minimum Wage" defines, if any song can, the Busboys "sound" - sort of a soulful rock with a new wave twist, if that makes any sense. "Did You See Me" could almost be the B-52's (I'd like to hear Fred Schneider take a stab at it), while other songs sound more poppy, rocky, soulful, or what have you. The lyrics are very well written and sung, with topics like nuclear war ("D-Day"), respect for the working guys ("Minimum Wage", "Respect") and a funny take at racism ("There Goes the Neighborhood"). The only criticism I can offer is the occasional song ("D-Day"), lyrics ("Tell the Coach") or bit of music (the opening riff of "Johnny Soul'd Out")that just doesn't work. But the good moments far outnumber the bad - pick it up and remember why you liked pop-rock in the first place."
Straight ahead rock 'n' roll
Ken Gray | the San Francisco bay area | 08/30/2001
(4 out of 5 stars)
"Great rock from a band that unfortunately got pigeon-holed because a lot of the songs have 'gimmicky' lyrics. But since I listen to the music more than the lyrics, I am more impressed by their musicianship."
The Bus Boys have great fun exploiting their race
David P. Rasmussen | St. Paul, MN United States | 10/13/1999
(5 out of 5 stars)
"Bill Maher would love the non-PC humor that defined Minimum Wage Rock 'n Roll, the first Bus Boys release. Post-Chuck Berry, post-Jimi Hendrix, pre-Living Colour, Bus Boys arrived as the only black rock-n-roll band that you saw on TV in 1980. On "Minimum Wage", the "Boys" had great fun exploiting their race. The Bus Boys sung and danced away, while mocking the lack of diversity in both "rock'n roll" and the "black music scene". Lyrics out of the mouths of these men made their point in your favorite genre: There Goes the Neighboorhood. The Whites are moving in, they're going to bring their next of kin (soul)...I want to join the Klu Klux Klan and play in a rock and roll band (hard rock)... And you thought it was light in the shade, I bet you never heard music like this by spades (new wave).I recall hearing of them for the first time, when they performed on a late-night network weekend music show. The live Bus Boys shows that I caught in Ames, IA and St. Paul, MN were also tremendously fun and energetic. The later records kept the unique combination of "rock" and "soul", but dropped the race humor. These later records prove that the Bus Boys were/are excellent musicians, as you don't miss the humor. In 1999, the HHH Dome sound system demonstrated unusual taste by playing Bus Boys at the beginning of each Minnesota Twins series, whenever "The Boys are Back in Town". I, of course, find myself searching for new Bus Boys releases, even today. Come back, O'Neal brothers!!"