Georg Philipp Telemann Ulrich Stotzel La Stravaganza Koumlln - Telemann MatthusPassion 1746 Sttzel (35 tracks) +Album Reviews

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Georg Philipp Telemann, Ulrich Stotzel, La Stravaganza Köln
Telemann: Matthäus-Passion (1746) / Stötzel
Genre: Classical

Track Listings (15) - Disc #1
1. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 1. Chorale. La?t uns mit
2. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 2. Recitative. Und da si
3. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 3. Chorale. Treulich has
4. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 4. Recitative. Wenn ich
5. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 5. Aria, Recitative, Cho
6. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 9. Recitative. Da kam Je
7. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 10. Chorale. Reiche dein
8. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 11. Recitative. Zum ande
9. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 12. Aria. Den sanften Sc
10. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 13. Recitative. Und als
11. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 14. Chorus. Aufruhr, Auf
12. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 15. Recitative. Und sieh
13. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 16. Aria. Die Unschuld /
14. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 17. Recitative. Aber das
15. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 18. Aria. Die Wahrheit /
Track Listings (20) - Disc #2
1. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 19. Recitative and Choru
2. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 20. Recitative. Da hub e
3. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 21. Chorus. Was gehet un
4. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 24. Recitative. Sie hiel
5. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 25. Aria. Dein K?nigreic
6. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 26. Recitative. Und da e
7. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 32. Recitative. Da aber
8. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 34. Recitative. Da gab e
9. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 35. Aria. Die bu?fertige
10. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 37. Chorus. Gegr??est se
11. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 39. Aria. Meinen R?cken
12. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 40. Recitative. Und da s
13. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 41. Aria. Der Glaube / L
14. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 42. Recitative. Und sie
15. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 43. Chorale. Gegr??est s
16. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 45. Chorus. Der du den T
17. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 47. Chorus. Andern hat e
18. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 49. Chorale. Du, ach du
19. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 50. Recitative. Und von
20. St. Matthew Passion (1746), for chorus, recorder, oboe, oboe d'amore, 2 horns, strings & continuo, TWV 5:31: 55. Chorale. Dess sollen

CD Details

All Artists: Georg Philipp Telemann, Ulrich Stotzel, La Stravaganza Köln, Barock-Orchester "La Stravaganza Köln", Barbara Schlick, Wilfried Jochens, Stefan Dorr
Title: Telemann: Matthäus-Passion (1746) / Stötzel
Members Wishing: 0
Total Copies: 0
Label: Hanssler Classics
Original Release Date: 1/1/2000
Re-Release Date: 2/29/2000
Genre: Classical
Styles: Opera & Classical Vocal, Chamber Music, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830), Sacred & Religious
Number of Discs: 2
SwapaCD Credits: 2
UPC: 040888896029

CD Reviews

One of the best known of Telemann's mid-period passions

12/16/2002

(2 out of 5 stars)

"As Telemann came round to Matthew every four years in his church duties it is worth noting that this is the Matthäus-Passion for 1746 (TWV5:31). It is a relatively short work that should fit onto a single CD, and the two other recordings available by Max (Capriccio) and Seeliger (Christophorus) do so. This recording, conducted by Ulrich Stolzel, despite being well under the 80 minute limit is spread onto 2CDs - for no discernable reason. Of the three recordings Max would be preferred by those wanting period instruments, Seeliger for those preferring a more "churchy" choir sound. Stolzel falls between these two stools. On instrumental playing and soloists it is again Max who wins the laurels.Other recordings by Stolzel than can be more warmly recommended are his two CDs of Telemann cantatas that have recently been reissued in a budget 3CD box along with Max's recording of a Telemann Missa Brevis."