Search - Steve Roach, Vidna Obmana :: Spirit Dome / Live Archive

Spirit Dome / Live Archive
Steve Roach, Vidna Obmana
Spirit Dome / Live Archive
Genres: Dance & Electronic, Alternative Rock, International Music, New Age, Pop, Rock
 
  •  Track Listings (8) - Disc #1
  •  Track Listings (8) - Disc #2

Spirit Dome returns with a perfect companion, Live Archive. Two out-of-print releases from this acclaimed ambient duo are brought together in this value-priced 2-CD release. Living proof of the power of live performance, t...  more »

     
1

Larger Image

CD Details

All Artists: Steve Roach, Vidna Obmana
Title: Spirit Dome / Live Archive
Members Wishing: 3
Total Copies: 0
Label: Projekt Records
Original Release Date: 1/1/2009
Re-Release Date: 2/10/2009
Genres: Dance & Electronic, Alternative Rock, International Music, New Age, Pop, Rock
Styles: Ambient, Europe, Continental Europe, Progressive, Electronic
Number of Discs: 2
SwapaCD Credits: 2
Other Editions: Spirit Dome
UPC: 617026022529

Synopsis

Product Description
Spirit Dome returns with a perfect companion, Live Archive. Two out-of-print releases from this acclaimed ambient duo are brought together in this value-priced 2-CD release. Living proof of the power of live performance, these recordings are so immediate and engaging it would be easy to assume they were crafted over months in the studio. Live Archive, from their 1997 tour, serves as a natural complement to 2004's Spirit Dome, recorded live to stereo master in one take in a studio-like environment.
Steve Roach / vidnaObmana's 2002 CD InnerZone served as the doorway to the surreal environment explored on Spirit Dome. Recorded in one continuous 74 minute session in a hotel room in Philadelphia, this is a dark sanctuary of pure texture and beautiful, if foreboding, dissonance pulled along with pulsing beats, subtle loops and dense soundworlds.The track captures a chilling gothic ambience that offers the exploration of remote psychological states of awareness. This is achieved by way of extensive live processing of instruments including fujara (overtone flute), guitar, and the seemingly bottomless wellspring of electro-acoustic sounds found only in the soundscapes of the duo.

Live Archive, on the other hand, collects peak performance moments of pure energy and emotion from the duo's live adventures. The wide range of venues, traveling to various countries, and above all their first tour together fueled their mutual intentions, challenging the artists to create music that does not know the limits of jet lag, equipment failures, and physical demands which occur when leaving the sanctuary of the studio.

The artists write: "While our experience reached a level of spontaneous interaction in the studio, it was an entirely different dimension when performing live on stage at a specific moment in time. It was as if we were communicating with each other blindfolded, focusing entirely on the sound appearing in the moment and being exchanged back and forth while the energy of the audience and the space helped feed the process. Although we briefly discussed the structure of each concert, the magic simply came alive when we took the live performance map outside any form of logical preparation, relying on our mutual passion and instinct for traveling in the soundcurrent."

Similar CDs

 

CD Reviews

Their best collaboration since "Well of Souls"
dronecaster | Baton Rouge, LA USA | 04/04/2004
(4 out of 5 stars)

"I must admit that I was beginning to lose a little faith in the Roach/Obmana mindmeld. While interesting in and of itself, their previous work, "Innerzone", struck me as strangely unengaging and uninspiring. That fear however has been put to rest with the release of "Spirit Dome", an improvisational performance that is clearly their finest collaborative effort in almost a decade.



Perhaps a quantum leap beyond "Cavern of Sirens" (Projekt, '97) and "Innerzone" (Projekt, '02) combined, "Dome" is a 74-minute exercise in darkly ethereal guitar loops (not too dissimilar from Roach's exceptional "Darkest Before Dawn" [Timeroom, '02]), subtle, almost subsonic and vaguely tribal beat patterns, and glitch-like electronic bleeps that dance like fireflys trying to find their way through the night. Parts of "Dome" bear a slight resemblance to the work of the electroacoustic duo Voice of Eye, whose "Transmigration" (released in '95) is one of the greatest recordings of ambient electronica ever as well as a stunning landmark of late 20th century music.



And of course, experienced listeners will also hear references to previous Roach recordings--the percussive loop on track seven resembles his work with Jeffrey Fayman and Robert Fripp from "Trance Spirits" and the overall interplay of textures without regard to conventional melody or harmony brings to mind "Mystic Chords and Sacred Spaces." This is by far the most subtle performance by both musicians in tandem, with Obmana's wispy overtone flute notes combining with Roach's almost non-existent guitar chords; the music ultimately resides at the borders of consciousness like a dream, trancelike in the extreme. Overall, "Spirit Dome" is yet another gripping sound portrait worth being listened to by anyone with an either an interest in the work of these two esteemed composers or ambient electronica in general."
A MASTERPIECE OF DARK AMBIENCE
Unlucky Frank | Lalaland, CA United States | 01/18/2005
(5 out of 5 stars)

"I prefer Roach when he goes deep into ambient structures of primordial form. The darker the better. And SPIRIT DOME is a slow turbid meditative swell of pitch black. This is one of my favorite Roach experiments since his remarkable EARLY MAN sessions. As an artist I enjoy ambient soundscapes for creative visualization and chemically altered states of consciousness. The first time I put this on I turned the lights down low, I turned the volume up, and I closed my eyes. The images that poured out of my subconscious were both beautiful and terrifying. It was next to impossible to stop the slow morphing rush of landscapes and forms without opening my eyes. Mind blowing to say the least. There is no other artist that I know of that is capable of inducing these states of mind without the use of chemicals. It's like a peyote ceremony without the peyote. This is why I am obsessed with Roach's music. (It's also quite euphoric when luminous fungi are added to the mix.)



Buddhism says, form is emptiness, emptiness is form. The only words I can summon to describe this sound: the form of emptiness is materalizing and collapsing back on itself. The primordial soup in the act of becoming. But words are meaningless without experience. You must experience this recording. IT'S INCREDIBLE. Enjoy."