Search - The Lindsays, Douglas Cummings :: Schubert: String Quintet D. 956/String Quartet D. 810 "Death and the Maiden"

Schubert: String Quintet D. 956/String Quartet D. 810 "Death and the Maiden"
The Lindsays, Douglas Cummings
Schubert: String Quintet D. 956/String Quartet D. 810 "Death and the Maiden"
Genre: Classical
 
  •  Track Listings (5) - Disc #1
  •  Track Listings (4) - Disc #2


     
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CD Details

All Artists: The Lindsays, Douglas Cummings
Title: Schubert: String Quintet D. 956/String Quartet D. 810 "Death and the Maiden"
Members Wishing: 0
Total Copies: 0
Label: Asv Living Era
Release Date: 2/27/2001
Genre: Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 2
SwapaCD Credits: 2
UPC: 743625024326
 

CD Reviews

Another Opinion
Daniel Klingler | Chicago, IL United States | 01/21/2004
(5 out of 5 stars)

"It appears that reviewer sky5361 and I are severely at odds over the merits of the Lindsays' recording of the Schubert Quintet. Interestingly enough we do agree on one matter. I agree that the Lindsays are not a perfect ensemble. False intonation and the occasional "scrappy" attack do find there way (sometimes often) into their performances. However, to be fair, I've never played or have seen a professional live quartet play anything without similar problems. On this point I find it refreshing that the Lindsays choose to leave in blemishes if their musical point has been made rather than include a vanity splice to prevent reviewers from attacking their technical abilities. As far as musicianship is concerned, I (and many other professioanl chamber music colleagues of mine) believe the Lindsays are second to none in there ability to capture the spirit of the compositions. On a purely technical point, the Lindsays are masterful at their abilities to balance to one another in a fashion that allows every note that needs to be heard ring in total clarity. There is no lack of sensitivity to what is important in the musical argument. The individual playing may not be as fine as some, but faulting them for such a matter would condemn similar artists such as Pablo Casals and Yehudi Menuhin who were by no means technical giants in comparison to some of there colleagues. To "wrap it up" let me conclude by saying that the Lindsays will not be for everyone, but I would suggest experiencing their playing first before making an opinion. This CD was the first performance of theirs that I heard and needless to say, I would be disappointed if I never got to know their playing."
Pie in the sky
PrivoDJ | Perth, WA | 01/04/2005
(5 out of 5 stars)

"Agreeance with Don, Come on Amazon - how DOES one get more than one parting shot at a review?



I too cannot help but make some of my own observations about this set by the Lindsays. I have never read the Penguin Guide as I find it inferior to the similar publication produced by Gramophone. This led me to the purchase of the Busch rendition of 1937, which I found fascinating if at times frustrating soundwise. My purchase of the Lindsay set came as a result not of any biased guide or opinion but as a result of the impression their recording of the late Beethoven Quartets left upon me.



Who cares if some English hack with a nationalist streak says the Lindsays' are the new messiahs or if American hacks of a similar vain say something quite the opposite - I for one have more discernment than to look to the opinions of others to ensure the 'validity' of my purchase. I find it far more pleasurable to make the discovery - pleasant or otherwise - myself.



As for the current recording, whilst I still prefer the Berg for the quintet, I found the performance wonderful with the Lindsay's 'raw style' never getting in the way of the music. As for the Adagio I only wish it could go on forever... of course that's just me.



The Lindsays are a fine outfit, and our comprehension and interpretation of the pieces they have recorded and performed is greater for it."