Search - Alfred Schnittke, Irina Schnittke :: Schnittke: Complete music for cello and piano

Schnittke: Complete music for cello and piano
Alfred Schnittke, Irina Schnittke
Schnittke: Complete music for cello and piano
Genre: Classical
 
  •  Track Listings (10) - Disc #1

The combination of cello and piano has been key to Schnittke's blossoming reputation, especially given the frequency with which the Cello Sonata No. 1 gets performed. Here Irina Schnittke, the composer's widow (he died in ...  more »

     
?

Larger Image

CD Details

All Artists: Alfred Schnittke, Irina Schnittke
Title: Schnittke: Complete music for cello and piano
Members Wishing: 0
Total Copies: 0
Label: Chandos
Release Date: 11/17/1998
Genre: Classical
Styles: Ballets & Dances, Ballets, Chamber Music, Historical Periods, Modern, 20th, & 21st Century, Instruments, Strings, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 095115970522

Synopsis

Amazon.com
The combination of cello and piano has been key to Schnittke's blossoming reputation, especially given the frequency with which the Cello Sonata No. 1 gets performed. Here Irina Schnittke, the composer's widow (he died in the summer of 1998), plays with bruising key pressure, tremendous sustain, and limpid grace, from the classical tinges of the first section to the slammed clusters of the second section to the fade of the third. Schnittke had Mstislav Rostropovich in mind for Cello Sonata No. 2, with its long, slowly wavering lines and mid-to-low register range. Irina Schnittke matches Alexander Ivashkin's dense cello reflections with chromatic bursts and falling trails of off-center notes. The short Musica Nostalgica, recorded here for the first time, was dedicated to Rostropovich and is a short, bittersweet miniature. Closing the CD is the 26-minute Epilogue from the ballet Peer Gynt, which Schnittke brilliantly scored for a taped chorus, cello, and foreshadow-rich piano. Again displaying the composer's imagination to be filled with points of crashing impact, the piece operates on the hinge of elaborately built, somber power and emotive blocks of energy that throw Ivashkin's soaring cello against disembodied choral floats. --Andrew Bartlett
 

CD Reviews

VERY BEAUTIFUL
Flotan | Vienna | 10/31/2006
(5 out of 5 stars)

"I have played the Schnittke Sonata No.1 myself in a recital some years ago, and therefore can say, that this recording is the most beautiful I have gone through during my preparations. It is not only the extremely beautiful sound of the cello (very well recorded too) - and of course the piano, but also the refined interpretation. By the way, I have so far never bought any "bad" CD of Mr. Ivashkin....

Go for this CD/music, it is beautiful and - I strongly believe- important to know!

"
No title
Joshua F. Monroe | 07/18/2006
(5 out of 5 stars)

"This is my favorite CD. The two cello sonatas are brilliant, I will defer to the previous reviewer as he did a fine job briefly describing them. Musical nostalgica is altogether uninteresting as a composition, and not performed very well here. I'm just not a huge fan of his Suite im alten Stille, and this is adapted from it's Menuett. I will, however, disagree with the previous viewer that the Epilogue for Peer Gynt is less than impressive. I find that it illuminates the subtlety of the original composition and provides a less bombastic variation. I particularly enjoy the two "climaxes" that don't quite climax, and the end that vanishes into the barely audible choral background. This version displays a frailty and ephemeral humanity that makes this the track I listen to the most. If I am trying to expose someone else to the genius of Schnittke, then I certainly choose his second cello sonata, or his third string quartet (amongst others), but this recording of the Epilogue From The Ballet 'Peer Gynt' remains my favorite piece of music."