Search - Richard [1] Strauss, Erich Kleiber, Vienna Philharmonic Orchestra :: R. Strauss: Der Rosenkavalier

R. Strauss: Der Rosenkavalier
Richard [1] Strauss, Erich Kleiber, Vienna Philharmonic Orchestra
R. Strauss: Der Rosenkavalier
Genre: Classical
 
  •  Track Listings (15) - Disc #1
  •  Track Listings (14) - Disc #2
  •  Track Listings (14) - Disc #3


      
?

Larger Image
Listen to Samples

CD Details

All Artists: Richard [1] Strauss, Erich Kleiber, Vienna Philharmonic Orchestra, Alfred Poell, Anton Dermota, Hilde Gueden, Ludwig Weber, Maria Reining, Sena Jurinac
Title: R. Strauss: Der Rosenkavalier
Members Wishing: 0
Total Copies: 0
Label: Decca
Original Release Date: 1/1/1954
Re-Release Date: 10/10/2000
Album Type: Box set, Original recording remastered
Genre: Classical
Style: Opera & Classical Vocal
Number of Discs: 3
SwapaCD Credits: 3
UPC: 028946711125

Similar CDs

 

CD Reviews

One of the great recordings!!!!
J. Kauffman | Haddonfield, NJ USA | 12/20/2001
(5 out of 5 stars)

"This is one of the greatest operatic recordings ever made. It captures a wonderful Vienniese spirit missing from all other recordings. Maria Reining as the Marschallin is past her best (to make up for it get the Lehmann excerpts) but still knowng and charming. The rest of the cast is unbeatable; Sena Jurinac, Hilde Gueden in their young primes and Ludwig Weber is a black voiced aristocratic Ochs. Smaller roles are filled with regulars from the Vienna State Opera. Erich Kleiber's conducting is exactly right; the right amounts of sentiment and spirit. The mono sound is warm and full. If you ever thought Rosenkavalier could be boring, buy this set. The time flies by and you'll feel great afterwards."
GOLDEN AGE RECORDING OF ONE OF STRAUSS' MASTERPIECES!
Ygor | Brazil | 04/11/2005
(5 out of 5 stars)

"After the heavy and extroverted music of Salome and Elektra, Richard Strauss, whom I consider one of the five greatest Opera composers ever, turned to a more delicate and viennese kind of music. From all the masterpieces with such characteristics he composed, Der Rosenkavalier is definitely the most perfect example of Strauss' talent. It has a wonderful, involving music, altogether with some incredibly tangible characters and profound drama. It alternates harmoniously moments of humor based on the Viennese Operettas and moments of pure reflection and depth. But, above all, this music is all about vividness, sincerity. The singers must not only sing beautifully. They also need to live the characters they're performing.
Here we have a Golden Age recording of Der Rosenkavalier, and it offers everything this opera requires to charm the listener. Certainly Maria Reining isn't in her best prime anymore, and in fact her voice doesn't sound as velvety as Schwarzkopf's or as youthful as Della Casa's. On the other hand, it's impossible to resist to the creamy and sincere quality of her mature voice, to the controlled and beautiful use of portamento and to the noblety and refinement of her interpretation. Maria Reining, who had had a successful career since the early 30's, takes us back to the elegant tradition of singing from the times Strauss was still composing some of his most famous operas.
Sena Jurinac sings an elegant and lively Oktavian. While her voice isn't as masculine as one would have from heavier mezzos, it's velvety and versatile and her characterization of the young gentleman is one of the most credible ever recorded. Hilde Gueden, who's maybe the greatest Straussian lyric coloratura soprano, is a flirtatious and charming Sophie. Her interpretations are always lively and involved in a dream-like Viennese atmosphere. Besides, her voice is ideal to this role. Its creamy and rich sound, girlishness and perfect technique are simply irresistible. In overall, each one of those legendary sopranos managed to understand the real meaning of those deep characters. The result is that, as we listen to this recording, it seems as we get to know real people's feelings in real situations (and that's exciting!). Other great performances are Ludwig Weber's caricatural Baron Ochs, Anton Dermota's flawlessly sung Italian Tenor and Alfred Poell's adequately aristocratic Faninal.
So why should you buy this recording? Surely there are other versions which are more hyped, but, among all the other famous recordings, the only one that can rivalize with this one is Schwarzkopf's classic recording conducted by Karajan (EMI). However, even that recording couldn't inspire the vivid emotion and pure excitement the way this legendary version did. Renée Fleming sings one of the most stunning Marschallins ever, but unfortunately she didn't record any complete studio recording. The sound is quite good even by current standards (and it was recorded in 1954!) and the whole atmosphere is amazing. Don't lose the chance of listening to truly legendary Straussian singing!"
A beloved classic showing its age
Santa Fe Listener | Santa Fe, NM USA | 10/01/2005
(4 out of 5 stars)

"This was the first Rosenkavalier I ever heard, some forty years ago, and I must have gone to the library ten times to listen through earphones to it. But on reacquaintance I must say that the mono sound is more than a bit edgy and shallow. When reviewers say that Maria Reining is past her prime, I think it should be clarified; her voice is mature but still beautiful--she's a Marschallin well into her forties. Of course, if you love something, you love it as a whole. On the whole I still love Kleiber's conducting, which is so clear and unsentimental (insofar as that's possible amidst so much strawberries and cream), and even more I love the touching reminder of old vienna before the horrors of WW II descended and destroyed a golden illusion."