Search - Peter Hammill :: In the Passionkirche Berlin 1992

In the Passionkirche Berlin 1992
Peter Hammill
In the Passionkirche Berlin 1992
Genres: Pop, Rock
 
  •  Track Listings (10) - Disc #1
  •  Track Listings (10) - Disc #2

2009 two CD live archive release from the Van Der Graaf Generator leader. This Berlin concert took place at The Passionkirche in Berlin in April 1992. For many of Peter Hammill's long time fans, this performance holds a sp...  more »

     
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CD Details

All Artists: Peter Hammill
Title: In the Passionkirche Berlin 1992
Members Wishing: 3
Total Copies: 0
Label: 101 DISTRIBUTION
Release Date: 11/24/2009
Album Type: Import
Genres: Pop, Rock
Style:
Number of Discs: 2
SwapaCD Credits: 2
UPC: 604388336920

Synopsis

Album Description
2009 two CD live archive release from the Van Der Graaf Generator leader. This Berlin concert took place at The Passionkirche in Berlin in April 1992. For many of Peter Hammill's long time fans, this performance holds a special place and bootleg copies have traded between fans for many years. The jewel for many fans is the 'Usher Suite', although here in a stark solo performance where Peter alternates between piano and occasionally guitar. Hammill performs a number of songs from his long solo career drawing on material from previous albums. Peter also revisits the Van Der Graaf Generator song 'My Room', which originally featured on the Still Life album. This CD is the companion release to the DVD of the same name and has also been reformatted by Peter Hammill to reflect the true running order of the actual concert. Voiceprint.

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CD Reviews

For completists only
IDorfman | 08/12/2010
(2 out of 5 stars)

"Superior versions of all but two of the tracks on this CD can be found on Hammill's "Typical" CD which contains songs recorded from the same tour of northern Europe in 1992. What makes this a desirable item is the nearly 20 minute "Usher's Suite" which is unavailable elsewhere. What is disappointing is the quality of the release. Audience applause is edited out, causing songs to end abruptly or segue immediately into the next song. So, it doesn't feel like it is a complete recording of the actual concert. The volume level varies throughout the recording, especially on "Future Now" which startled me with its loud beginning and ends just as abruptly. Worst of all, the guitar intro and first verse of "Modern" are omitted. The song just suddenly begins mid sentence! Aside from this, what you get is pure live Hammill. He hits bum notes occasionally, but sings his heart out. That's what makes Hammill a one-of-kind performer. Whereas on "Typical" he culled together the best versions of his concert staples from that period, even skillfully combining versions from two different performances on two tracks, here you get some less than perfect versions. This would be okay if it was an unedited version of the complete performance, which it obviously isn't."