Celebration Song - Peter Buffett, Pope, Chief Hawk
Spirit Dance Prelude
Spirit Dance
New Moon Waltz - Peter Buffett, Nelson, Tom
The Dream
Nothing Like Home
Auglaize River, 1830
Keyboardist Peter Buffett, son of famed investor Warren Buffett, distant cousin of Parrothead Jimmy Buffett, also has ties--strictly creative--to Mike Oldfield and other leading lights of the pre-techno school of progressi... more »ve electronic music. This was apparent in his sterling 1987 debut, The Waiting, where Buffett extracts huge murals of color from his Synclavier by mixing ambience with mild aggression, then glazing it all with a thin patina of melancholy. Alas, no subsequent recording quite matched the original's cohesiveness--until this evolving project arrived 10 years later. Spirit Dance, which later spawned a stage production and live recording (Spirit), is Buffett's most persuasive treatment of a favorite theme: the survival of an honorable Native American spirit within a progress-at-any-cost culture. Contributors range from Chief Hawk Pope of the Ohio Shawnee (whose musical influence can be found on the Pocahontas soundtrack) to flautist Douglas Spotted Eagle to a German choir to inventive drummer Dan Chase, who earns co-songwriter credits on two of the disc's best moments--the groove-guided "An Eagle Above" and the title track, which cries out for a dance remix. Imaginative rhythms, atmospheric choral passages, judiciously positioned Native chant and drumming, articulate guitar work (from three guitarists) and splendid sound design from Buffett yields a hip, subdued, very appealing journey that concludes with its lone vocal track, a lovely, Tori Amos-like lament for the present. Worthwhile listening. --Terry Wood« less
Keyboardist Peter Buffett, son of famed investor Warren Buffett, distant cousin of Parrothead Jimmy Buffett, also has ties--strictly creative--to Mike Oldfield and other leading lights of the pre-techno school of progressive electronic music. This was apparent in his sterling 1987 debut, The Waiting, where Buffett extracts huge murals of color from his Synclavier by mixing ambience with mild aggression, then glazing it all with a thin patina of melancholy. Alas, no subsequent recording quite matched the original's cohesiveness--until this evolving project arrived 10 years later. Spirit Dance, which later spawned a stage production and live recording (Spirit), is Buffett's most persuasive treatment of a favorite theme: the survival of an honorable Native American spirit within a progress-at-any-cost culture. Contributors range from Chief Hawk Pope of the Ohio Shawnee (whose musical influence can be found on the Pocahontas soundtrack) to flautist Douglas Spotted Eagle to a German choir to inventive drummer Dan Chase, who earns co-songwriter credits on two of the disc's best moments--the groove-guided "An Eagle Above" and the title track, which cries out for a dance remix. Imaginative rhythms, atmospheric choral passages, judiciously positioned Native chant and drumming, articulate guitar work (from three guitarists) and splendid sound design from Buffett yields a hip, subdued, very appealing journey that concludes with its lone vocal track, a lovely, Tori Amos-like lament for the present. Worthwhile listening. --Terry Wood
"Until I heard this music (on the PBS special), I had not been into Indian music. I purchased the CD immediately, and it's now what I put on when I want to feel inspired. The drumming is compelling; it inspires me to dance. More than once, it has moved me to tears."
A fantastic listen!
Patricia Laux | Neenah, WI USA | 06/25/1999
(5 out of 5 stars)
"It's just me, back again, to say that the CD more than lived up to my expectations. I get goose bumps each time I listen to Chief Hawkpope recite the tribes in track 2 - Hidden Heritage. I am eagerly waiting for the tickets to go on sale for the November performance - can't wait to see the performance again in person."
This a incredible recording
Patricia Laux | 10/15/1998
(4 out of 5 stars)
"after listening to this cd i remember the dances with wolves sound track and this seems to be along those lines. this however is incredible !, you can feel the spirit of the ghost dancers them selves. what a talented group of musicians MR.PETER BUFFET has put together. from playing the piano as a kid in nebraska and listening to music back then PETER BUFFET has evolved into a master of this genre. beautiful stuff !!!"
Great blend of Native American and New Age
Distant Voyageur | Io | 09/14/2002
(5 out of 5 stars)
"This CD is such an amazing blend of New Age ambient grooves with strong Native American sounds incorporated. Some of the tracks don't really belong on here IMO. Track 6 aka Celebration song has static sounds that are a bit grating and is mostly something I'd hear at a pow-wow. While I love hearing that kind of music when I'm actually at a pow-wow I'm not particularly fond of hearing it on CD. Not a bad track though. The weak spots on here are made up for by powerful tracks like Hidden Heritage, Death Song, The Place Where The Crying Begins & Dreams. Hiddne Heritage in my opinion deserves attention because while it's a gorgeous song the thing that makes it a shining star on this CD is because a voice mentions the names of tribes from all over the country. You'll hear names like Omaha, Iroquois(I'm of Iroquois descent), Kickapoo, Erie, and numerous other tribes. There are over a hundred tribes mentioned in this song. One of the best songs on this CD. The other track that in my opinion stands out is The Place Where The Crying Begins. This track to me is another favorite with a very dark, melancholy atmosphere with a haunting, ghostly choir that gives me the chills. I just love the electric guitars in the song. Spirit Dance may not be as consistant as lets say, Yonnondio or 500 Nations but it's a worthy album of owning."
I'm anticipating real excellence!
Patricia Laux | Neenah, WI USA | 06/08/1999
(5 out of 5 stars)
"I saw the performance of Spirit Dance at the Weidner Center in Green Bay which was filmed to be rebroadcast on PBS, and then watched the PBS show - the production is like nothing I have ever seen before. The interweaving of Native American and modern urban life was especially effective. And I loved the recitation of the tribes that was part of one of the "numbers" - I plan to go back to see it again when it comes back in November - GREAT! I am really looking forward to hearing and rehearing the CD!"