Search - Otis Taylor :: Clovis People, Vol. 3

Clovis People, Vol. 3
Otis Taylor
Clovis People, Vol. 3
Genres: Blues, Pop
 
  •  Track Listings (12) - Disc #1

Otis Taylor digs the past. Whether it's the songs he wrote a decade ago, or ancient civilizations that lived more than 10,000 years ago, he's drawn to stories from another time, and he's compelled to retell them in a way t...  more »

     
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CD Details

All Artists: Otis Taylor
Title: Clovis People, Vol. 3
Members Wishing: 5
Total Copies: 0
Label: Telarc
Original Release Date: 1/1/2010
Re-Release Date: 5/11/2010
Genres: Blues, Pop
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 888072318496

Synopsis

Album Description
Otis Taylor digs the past. Whether it's the songs he wrote a decade ago, or ancient civilizations that lived more than 10,000 years ago, he's drawn to stories from another time, and he's compelled to retell them in a way that's relevant in the modern day. On Clovis People, Vol. 3, Taylor writes his own history. It's the ideal project for the architect of a sparse and hypnotic style that has come to be known as "trance blues." Taylor has spent his career crafting songs that are wide open to interpretation -- thematically as well as structurally. "I give people a starting point, and then they can take it where they want to take it," he explains. "That's true for the people playing my music as well as the people listening to it. That's how art should be. A person looking at a painting should be able to interpret it in whatever way he wants. The more words you put into a song, the less freedom the listener has to decide what it means." The album title is inspired by a recent scientific discovery very close to Taylor's home in Boulder, Colorado. Barely 100 yards from the edge of his property, archeologists dug up a cache of tools and other implements belonging to a civilization known as the Clovis people, who walked the earth briefly about 13,000 years ago and then mysteriously disappeared. "I just thought it was a cool title," says Taylor. "I went back to my musical past with these songs. That's why I called it Volume 3. There really is no Volume 1 or 2. My music only goes back about ten years, but there's something about reaching back to an earlier time and revisiting the stories of the past from a new perspective that I find compelling." Helping to shape that new perspective is a crew of players who lend a variety of shades and voices to the mix. Among them is guitarist Gary Moore, a guest musician on two of Taylor's previous recordings (Definition of a Circle in 2007 and Pentatonic Wars and Love Songs in 2009), who moves in and out of the tracks with a hard riff here, a subtle accent there, and just the right atmospherics wherever he appears. Also on hand for nine of the twelve tracks is pedal steel guitarist Chuck Campbell -- a member of the Campbell Brothers, the African-American gospel group that has developed a sound commonly known as "sacred steel." In addition, Clovis People, Vol. 3 features cornetist Ron Miles and bassist Cassie Taylor (Otis' 22-year-old daughter). Indeed, some instincts are eternal, whether the frame of reference is 2010, 1950 or some time before recorded history. Clovis People, Vol. 3 is in some respects a vehicle for Taylor -- an archeologist of a different kind -- to re-examine some of the truths he's uncovered in his own era and preserve them for listeners in some future time. "I went back to my musical past with these songs -- all the way back to my first album," says Taylor. "I like finding different ways to retell the old stories. They continue to mean something -- to me, to the people who hear them, to the musicians who play with me -- many years after I first told them."

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CD Reviews

4 1/2 ***** MUSIC FOR THE SOUL
dickydo | Warwick, RI USA | 05/11/2010
(4 out of 5 stars)

"Otis Taylor, and his "trance blues" defy description. This is thought provoking, moody, atmospheric music that needs to find a wider audience. There's amazing interplay between the musicians. Cornet, pedal steel, crunching guitar riffs from Gary Moore plus cello, and violin weave a mesmerizing mix. The narratives are familiar Taylor themes yet, there's a new vitality to them as he searches his past musical roots. Chuck Campbell"s "Sacred Steel" is a striking counter point to Taylor's rhythm and Moore's stinging riffs on the powerful "Little Willie" about a boy shot and killed on a playground. This is ambitious music, not what often passes as blues in today's marketplace. Taylor's daughter Cassie deserves special mention, she's a formidable talent in her own right. Her bass playing and ethereal backing vocals are essential to the texture and tone of her Dad's songs. I could mention each song individually, but these songs just needs to be listened to as a whole. Taylor has an exceptional body of work over the last decade. The guy is a true artist without the pretension. The music and lyrics are there, open for interpretation. This is blues for the mind and soul."