Search - Norah Jones :: The Fall

The Fall
Norah Jones
The Fall
Genres: Pop, Broadway & Vocalists
  •  Track Listings (13) - Disc #1

Norah has taken a new direction on the The Fall, experimenting with different sounds and a new set of collaborators, including Jacquire King, a noted producer and engineer who has worked with Kings of Leon, Tom Waits and M...  more »


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CD Details

All Artists: Norah Jones
Title: The Fall
Members Wishing: 0
Total Copies: 3
Label: Blue Note Records
Original Release Date: 1/1/2009
Re-Release Date: 11/17/2009
Genres: Pop, Broadway & Vocalists
Style: Vocal Pop
Number of Discs: 1
SwapaCD Credits: 1
Other Editions: Fall (Deluxe Edition) (Incl. Bonus Live EP)
UPC: 5099969928628


Album Description
Norah has taken a new direction on the The Fall, experimenting with different sounds and a new set of collaborators, including Jacquire King, a noted producer and engineer who has worked with Kings of Leon, Tom Waits and Modest Mouse. Jones enlisted several songwriting collaborators, including Ryan Adams and Okkervil River's Will Sheff, as well as her frequent partners Jesse Harris & Richard Julian. Musicians include drummers Joey Waronker (Beck, R.E.M.) and James Gadson (Bill Withers), keyboardist James Poyser (Erykah Badu, Al Green), and guitarists Marc Ribot (Tom Waits, Elvis Costello) and Smokey Hormel (Johnny Cash, Joe Strummer). The first single/video is for the album's lead track 'Chasing Pirates'.

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CD Reviews

Norah's return to jazz rock genre? A+!
Hayden R. Deck | Virginia, USA | 11/17/2009
(5 out of 5 stars)

"Overall Grade: A
Hilights: Chasing Pirates, Young Blood, It's Gonna Be, Man of the Hour

Since her major pop debut in 2002, Norah Jones has been fluffing our pillows and stoking the fires with her cozy hearthside tales and heartwarmingly hopeless romanticisms. At a glance one might think that the art for her latest release, "The Fall", which features our lady in a top hat and a snowy white gown sitting next to a large cuddly canine, would suggest yet another album of dessert wine pop-jazz. This is not the case. Instead, Norah sidesteps the "sweet" almost completely and heads into a more rock-based sound, for which her voice is perfectly suited. The direction is fresh and the pace is easy to settle into (with a pace set by "Chasing Pirates"). Though the album lacks a real kick-in-the-pants sort of song, it certainly delivers some of her best work to date. Expect less piano, more guitar, and the sweetest ending Norah could offer. Wonderful!"
Good work from Ms Jones
William Merrill | San Antonio, TX United States | 11/17/2009
(4 out of 5 stars)

"This new Norah CD is being received as some kind of "beefed up" version of her music, or a "return to rock." I understand where that perspective is coming from. The songs are more rock/ roots oriented, but for me, this is not any kind of major departure from her previous stuff. First, she's still a singer-songwriter, and the observational and confessional style of song she writes (or co-writes) is still very similar to before. Second, while the tunes often have a more upfront electric guitar (one difference), otherwise they are still largely on the mellow side. A new song such as "I Wouldn't Need You," still has Norah softly crooning the lyrics over a slow tempo, with a relatively gentle backing band. Not that this is a bad thing! I would use the word "charming" to describe the singer and her music, and that's undiminished on The Fall. Compared to someone else in the roots-rock field like Lucinda Williams, Norah Jones is not someone who's going to bowl you over with her passion. It's more of a seduction than an "in your face" approach. All of that said, I've really enjoyed listening to these new songs, and I think I'll be enjoying them much more in the days to come."
Difficult Listen
D. Ohnemus | Soldotna, Alaska USA | 11/28/2009
(3 out of 5 stars)

"I have loved Norah since her first album. I like to get on Youtube and listen to those unreleased songs like "Love Me Tender" "I'll be your baby tonight" and others.
Her first album was amazing, the second one had some high points and her third did too just fewer high points. But we still had Norah's voice which I think is her big draw. Listening to her is like laying in a warm bath with a glass of wine. Or next to a glowing fireplace. I just find comfort in that voice.
With this album I can listen to some but not all of the songs. Her voice seems to be behind the music rather than in front or even equal to it. You hear the bass and drums and have to strain to hear her voice.
So as much as I hate to do this I can only call this album average. If I heard it and didn't know it was Norah Jones I would never buy it."