Search - Michael Chapdelaine :: Guitar for Christmas

Guitar for Christmas
Michael Chapdelaine
Guitar for Christmas
Genres: Special Interest, Pop
  •  Track Listings (14) - Disc #1

14 of our favorite, most beautiful Christmas carols played by on of the world's finest, most romantic guitarists. The arrangements include many guitars along with orchestra. This will be your new favorite Christmas album! ...  more »


CD Details

All Artists: Michael Chapdelaine
Title: Guitar for Christmas
Members Wishing: 0
Total Copies: 0
Label: Ratcat
Release Date: 12/1/2004
Genres: Special Interest, Pop
Styles: Holiday & Wedding, Easy Listening
Number of Discs: 1
SwapaCD Credits: 1
UPC: 005761200720


Album Description
14 of our favorite, most beautiful Christmas carols played by on of the world's finest, most romantic guitarists. The arrangements include many guitars along with orchestra. This will be your new favorite Christmas album! It's simply beautiful! Artist biography: Michael Chapdelaine is the only guitarist ever to win First Prize in the world's top competitions in both the Classical and Fingerstyle genres; the Guitar Foundation of America International Classical Guitar Competition and the National Fingerstyle Championships at the Walnut Valley Bluegrass Festival at Winfield. From New York's Lincoln Center to the Cactus Cafe in Austin, from Milano to Bangkok, Chapdelaine continues to enchant, dazzle and surprise audiences and critics alike as he redefines the modern acoustic guitar with his amazing technique, "soulful" expressiveness, and versatility as a performer, composer and arranger/producer. His performances, played on both steel string and classical guitars, include musical styles ranging from blues to Bach to country to rhythm n' blues as he wins his audiences hearts with breath taking technique and the poetic magic of his original musical portraits and landscapes. In the 80's and 90's Chapdelaine proved himself to be one of the worlds finest classical guitarists; twice winning the coveted National Endowment for the Arts Solo Recitalist Grant, and taking First Prize in both the Guitar Foundation of America's and the Music Teachers National Association's Guitar Competitions. He also won the Silver Medal in Venezuela's VIII Concurso International de Guitarra "Alirio Diaz". He has toured four continents while giving hundreds of performances for Affiliate Artists Inc., and various arts promotion organizations. In 1992 he recorded the Sonata Romantica CD, which many critics and connoisseurs of classical guitar consider to be one of the definitive recordings for the instrument. Acoustic Guitar magazine wrote "... if I were marooned on a desert island with a limited selection of recordings, this one would be among my choices...I have seldom heard a more beautiful album. Other young guitarists have excellent technique, but few have such style ! and musicality, and Chapdelaine's beautiful tone is the nearest to Segovia's that I can recall." In 1994 Chapdelaine turned his attention to pop music, in arranging, producing and recording Time-Life Music's beautiful Guitar by Moonlight collection, which sold 250,000 copies in it's first two years in the stores. In 1998, he once again, expanded his musical range and gained instant notoriety and credibility in the "acoustic music" world as a "fingerstyle" guitarist and composer, by winning the National Fingerpicking Championships at Winfield. Chapdelaine is Professor of Music and head of guitar studies at the University of New Mexico, and has previously been on the faculties of the University of Colorado at Denver and Metropolitan State University. He has given master classes throughout the world including, China, Thailand, Malaysia, Peru, Venezuela, Taiwan, Indonesia and at institutions such as, University of Miami, Mannes School of Music, University of Texas, and California State University. His teachers included the great Spanish maestro Andres Segovia.

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CD Reviews

Worst Christmas album ever ..................?
MovieMusic | Idyllic Avalon Beach N.S.W. | 01/12/2007
(1 out of 5 stars)

"How could a guitarist who made something as good as "Land Of Enchantment" make something as bad as this? Part of the answer is that the microphone placement makes you feel like you're inside the guitar, suffering an overload of noteplaying noise and echo you shouldn't hear. It distracts from the tunes and actually made me nauseous listening through headphones.
Another part of the answer is that the interpretations are strongly personal, with tempos of some tunes (and bending within them) not suiting a wide audience. Maybe releasing an album was just an afterthought."