Search - Mazzy Star :: So Tonight That I Might See

So Tonight That I Might See
Mazzy Star
So Tonight That I Might See
Genres: Alternative Rock, Pop, Rock
  •  Track Listings (10) - Disc #1

People tend to confuse the band Mazzy Star with it's singer Hope Sandoval. Truth be told, they've been right all along. Sandoval's languid, weeping willow voice is Mazzy Star; the name is a mere formality. With nods to Nic...  more »


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CD Details

All Artists: Mazzy Star
Title: So Tonight That I Might See
Members Wishing: 0
Total Copies: 2
Label: Capitol
Original Release Date: 10/5/1993
Release Date: 10/5/1993
Genres: Alternative Rock, Pop, Rock
Styles: Indie & Lo-Fi, Adult Alternative
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 077779825325, 0077779825356, 077779825356

Synopsis Music Reviews
People tend to confuse the band Mazzy Star with it's singer Hope Sandoval. Truth be told, they've been right all along. Sandoval's languid, weeping willow voice is Mazzy Star; the name is a mere formality. With nods to Nico and the Velvet Underground, So Tonight that I Might See is vintage Mazzy. Remarkably, the recording produced a strikingly undanceable single, "Fade into You," that ascended to respectable rotation on college and AAA radio. The rest of the album sticks close to the single's plaintive, retro balladry. Though Sandoval rarely raises her voice above a sultry whisper, it's bright enough to hold your attention all night. --Nick Heil

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Member CD Reviews

Jessica H. from OKLAHOMA CITY, OK
Reviewed on 10/10/2007...
This CD is excellent. I love her voice and the If you like mellow chick music with an edge, you will like this album!
1 of 1 member(s) found this review helpful.

CD Reviews

Best of all Mazzy Star by far
D. V. Gulliver | Salem, OR USA | 10/25/2000
(5 out of 5 stars)

"If you like either of the other Mazzy Star albums, this one is a little different... in a better way. If you have never heard of this band, but like mysterious, sultry, and deep music, running the gamut from acoustic guitar with female voice, ranging to psychedelic electronic, then maybe it's for you.This is the best of all Mazzy Star's albums. I really wish the group would stick with this style, which is a little darker at times, and a little more acoustic at others, than either 'Swan or 'Brightly. There is only one song on this album (track 2) which I do not truly adore (and it just happens to be the one song which sounds EXACTLY like most of the songs on the other 2 albums).The sound on this album reminds me in an odd way of early Pink Floyd and The Doors, with a sultry female vocalist. It makes great mood music for a make out session. It is good for combating depression. Then again, it also gets me riled up. The title track makes think of what would happen if Jim Morrison was reincarnated as a woman and tried to play "The End" in the 90's. "5 String Serenade" is one of the softest, sweetest, and most gentle songs ever.Also, the recording quality is FANTASTIC! I use this CD as a test/reference whenever I try out new audio equipment."
Words fail me, but I'll try anyway....
M. G Watson | Los Angeles | 10/25/2005
(5 out of 5 stars)

"Twelve years ago I was sitting on a porch in a college town in the early fall, waiting to go to a party, and the song "Fade Into You" came over the radio. I can still remember the way the plaintive sound of Hope Sandoval's voice, woven into those languid guitar strains, settled over my nervous system with an effect that can only be described as hypnotic. It was a bright, sunny day, but all the sudden I felt like it was half past midnight, and I had nothing to keep me company but a candle and a big bottle of red wine. I was so haunted by the song that at the first opportunity I went out to a record store and bought the CD, "So Tonight That I Might See." It remains my all-time favorite, a bottle of "the good stuff" that I break out only on special occasions.

People have a tendency to discuss albums song by song, but "So Tonight That I Might See" is, to me, just one long piece of music, performed in an unvaryingly mellow and often longing tone of voice. The mood weaves its thread through every track, binding them together into a singular piece of music that is wierdly and intensely beautiful. I would never insult this dark masterwork by skipping ahead to a certain song; I either listen to the whole album (on repeat, drinking some good absinthe if possible and letting the grooves take me where they may) or I don't listen at all. There are rules to drinking the good stuff, you see.