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Martial Solal Dodecaband Ellington
Martial Solal
Martial Solal Dodecaband Ellington
Genres: Jazz, Special Interest, Pop
 
  •  Track Listings (6) - Disc #1

During his lengthy involvement with jazz, French pianist Martial Solal has applied his distinctive, personal approach to a wide variety of settings and moods. From intimate piano trios to big bands, his elastic sense of ti...  more »

     
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CD Details

All Artists: Martial Solal
Title: Martial Solal Dodecaband Ellington
Members Wishing: 2
Total Copies: 0
Label: Dreyfus
Release Date: 1/9/2001
Genres: Jazz, Special Interest, Pop
Styles: Avant Garde & Free Jazz, Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 764911661322, 3460503661325

Synopsis

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During his lengthy involvement with jazz, French pianist Martial Solal has applied his distinctive, personal approach to a wide variety of settings and moods. From intimate piano trios to big bands, his elastic sense of time and supple touch have earned him respect and accolades. Also noted for his compositions (he gained fame writing the soundtrack to Jean Luc Godard's Breathless), Solal has prodigious arranging skills that come to the fore on this lovely tribute to Duke Ellington. Taking a number of Ellington's most famous tunes--"Satin Doll," "Take the "A" Train," and "Caravan" among them--Solal sets out, in his words, "to show that the job of an arranger is actually a compositional task." What emerges from the proficient French-based, 12-piece Dodecaband is remarkable: Ellington's original melodies remain intact, but the tunes themselves sound totally new and original. Using unconventional voicings and a bevy of tempos, colors, and soloing styles (including his own), Solal re-creates these oft-played classics into fresh entities without losing their Ellingtonian flavor. --Wally Shoup

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CD Reviews

Excelente ensamble
Fernando Barahona M. | MIAMI, FLORIDA United States | 02/20/2002
(5 out of 5 stars)

"Desde muy joven siempre he sido admirador de Duke Ellington, luego conocí la musica de Martial Solal en el disco Suite for Trio, y la verdad que me sorprendió la manera de interpretar de Martial Solal.Este disco es exquisito, sobre todo para aquellas personas a las que les agrada el jazz con un ensamble de metales, tiene un tratamiento un poco más completo que un big band, pero es agradable al escuchar, he escuchado detenidamente este disco unas 10 o 15 veces y en todas las ocaciones le encuentro sonidos y texturas diferentes que aparecen y que no los había sentido en audiciones anteriores.En mi opinión es una gran interpretación de Duke, con una ensamble de metales fenomenal, y una aparición de primera clase de Martial Solal, recomiendo su compra."
Outstanding, eclectic reinterpretations of Ellington
R. van Bakel | Maine, USA | 06/05/2007
(5 out of 5 stars)

"I heard this music on my car radio one recent night, and became enthralled by the freshness and imagination evident in every phrase. There's no arguing about taste, but saying (as GLM does) that Solal and his band add nothing new to Ellington's well-worn repertoire is ... well, we must have been listening to different albums. Solal's reinterpretation of classic Ellington pieces is stunningly inventive. Some of these arrangements are more like entirely new compositions and as such barely needed to be credited to Ellington at all; Solal often uses an Ellington riff as a jumping-off point and then he and his band just joyfully run with it, turning the notes inside out until, 15 or 20 seconds later, the tune is wholly unrecognizable as an over-exploited jazz standard.



I could be imagining things, but I was strangely reminded of Frank Zappa when I heard the radio broadcast (I subsequently bought the CD and have now listened to it ten or so times). There's a frequent undercurrent of barely-under-control whimsical anarchy here that's reminiscent of some of Zappa's Varèse-inspired stuff during his 'Studio Tan' years.



Like the best of Carla Bley's and Paquito d'Rivera's orchestral work, this Martial Solal album is proof positive that big-band music doesn't have to be as hopelessly uncool as your grandfather's beloved barbershop records. On the contrary -- this is exciting, energetic, inventive, and yes, MODERN stuff that deserves a place of honor in any jazz aficionado's collection."