Search - Joe Ross & Janet Naylor & Friends :: The Harper's Reverie: Irish Music of Turlough O'Carolan

The Harper's Reverie: Irish Music of Turlough O'Carolan
Joe Ross & Janet Naylor & Friends
The Harper's Reverie: Irish Music of Turlough O'Carolan
Genres: International Music, New Age
 
  •  Track Listings (11) - Disc #1

Turlough O'Carolan, last of the Irish bards, was born in 1670 near Nobber, County Westmeath, but moved with his family to the Roscommon-Leitrim area while very young. His father was employed at an iron foundry operated by...  more »

     
?

Larger Image

CD Details

All Artists: Joe Ross & Janet Naylor & Friends
Title: The Harper's Reverie: Irish Music of Turlough O'Carolan
Members Wishing: 0
Total Copies: 0
Label: Zephyr Records
Original Release Date: 11/1/1998
Release Date: 11/1/1998
Genres: International Music, New Age
Style: Celtic
Number of Discs: 1
SwapaCD Credits: 1
UPC: 791022084221

Synopsis

Album Description
Turlough O'Carolan, last of the Irish bards, was born in 1670 near Nobber, County Westmeath, but moved with his family to the Roscommon-Leitrim area while very young. His father was employed at an iron foundry operated by the St. George and MacDermott Roe families. Totally blinded in his late teens by smallpox, Turlough O'Carolan was taken in by Mrs. MacDermott Roe at the Alderford house, near Boyle. Here, he studied under a harper for three years. A more creative tale claims that O'Carolan once slept on a fairy rath and forever after heard fairy music to inspire him. "The Harper's Reverie" captures some of O'Carolan's fanciful musings. At age 21, equipped with a horse, a guide and money, O'Carolan began his career as an itinerant harper although he seldom traveled much beyond the province of Connacht. In the Irish bardic tradition, the harper was popular and held high social status in the "Big Houses," and the tunes composed for his patrons were referred to as "planxties" (musical tributes). Considered as much more than a mere musician or composer, O'Carolan was an honored guest of his patrons and regarded as a sage who articulated eloquence, wit and profundity. And, of course, he kept his patrons informed of the latest gossip collected while traveling the Irish countryside. If, by chance, he encountered a less than hospitable host (as he once did at the house of Jennings of Mayo), O'Carolan might be heard ranting, "Devil take the glass that was meant for a dwarf, and the same for the hand that didn't fill it by half!" O'Carolan had numerous romantic affections, and some of his compositions were written for his lady loves. Many of his songs addressed to Bridget Cruise, his youthful yet hopeless attachment, have been irretrievably lost. The influences of Italian composers such as Geminiani and Corelli show in some of O'Carolan's works. The sources for most of the tunes played in this compilation are Edward Bunting's "Ancient Music of Ireland" collections. Bunting transcribed and arranged many of the tunes he heard at the 1792 Belfast Festival of Harpers, a gathering of musicians and musicologists interested in preserving this important heritage. At the Harpers' Festival, Bunting witnessed only one harper still using the old fingernail technique (rather than using the flesh of the finger), and by the 1820s the great school of Irish harp playing had greatly disappeared. In 1738, O'Carolan died and was buried at the cemetery of the old 6th century O'Duignan Abbey at Kilronan, his grave adjoining the vault of the MacDermotts. In 1990, my wife (also a harpist) and I were fortunate to attend the Turlough O'Carolan Thirteenth International Harp Festival and visited O'Carolan's gravesite. The Festival is held in the picturesque Irish village of Keadue, County Roscommon, at the foot of the Arigna Mountains near the shores of Lough Meelagh in the heart of O'Carolan country. Near Castlerea, one of O'Carolan's harps can be found at the 45-room Clonalis House, the ancestral home of the Clan O'Conor, who gave 11 high kings to Ireland and 24 kings to Connacht. Another of O'Carolan's harps, a large sycamore instrument with 35 strings, is on exhibit in the National Museum of Ireland in Dublin. During his years of itinerant minstrelsy, O'Carolan was said to have composed about 200 pieces of music, although many have been lost. Join us on a musical journey to shape a portrait of another age, one that displays the joys of life and revelry that marked O'Carolan's day. The Irish simply called it "Luinneach" (merry music). We hope that you'll experience an epiphany from the beauty, color, emotion, gentleness and melodic expression of Turlough O'Carolan's musical compositions. Thank you for your support of this music.

Similar CDs


Similarly Requested CDs

 

CD Reviews

Wow! What a Treat!
K. Loftis | the picturesque North Carolina mountains | 10/27/2004
(5 out of 5 stars)

"To find a cd strictly devoted to the music of O'Carolan was delightful, but to find one crafted by such skilled musicians was simply wonderful! This is

music that will warm the hearts of any proud Irish-American, and keep the toes tapping. It's a great ode to the great man who composed these stunning pieces!

I can't express how accomplished these musicians are, and how beautiful this music is. This music is so diverse, so timeless! Run, don't walk, and get your credit card and purchase this cd!

You'll be glad you did! Thanks to Joe Et Al for creating this lovely gem of a recording! Slant!"
Wonderful melodies with a dancing lilt and a little frivalit
OlRattler | Texas | 12/28/2005
(5 out of 5 stars)

"Just utterly fantastic and beautifully woven instrumental music that ebbs and flows like the tides along the rugged coast of Ireland. The harp and hammered dulcimer work so well together for O'Carolan's music, but Ross and Naylor have embellished the music so much more with their musical friends playing a handful of other instruments. I love this music because it is so calming, peaceful, happy and serene. It also has wonderful melodies with a dancing lilt and a little frivality in its step."