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Hoddinott: Passaggio/Heaventree of Stars/Doubles/Star Children
Alun Hoddinott, Tadaaki Otaka, Rosalie Armstrong
Hoddinott: Passaggio/Heaventree of Stars/Doubles/Star Children
Genre: Classical
 
  •  Track Listings (4) - Disc #1


     
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CD Details

All Artists: Alun Hoddinott, Tadaaki Otaka, Rosalie Armstrong, BBC Welsh Symphony Orchestra
Title: Hoddinott: Passaggio/Heaventree of Stars/Doubles/Star Children
Members Wishing: 0
Total Copies: 0
Label: Nimbus Records
Release Date: 9/19/1994
Genre: Classical
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 710357535727
 

CD Reviews

Mildly interesting music in generally good performances
G.D. | Norway | 10/28/2009
(3 out of 5 stars)

"The late Welsh composer Alun Hoddinott wrote a long series of orchestral works, many of them to some acclaim. His musical language is expressive, often but not slavishy following twelve-tone principles and reminding one often, perhaps, of Rawsthorne, but denser, more brooding and far more reliant on colors and expressivity than Rawsthorne's often black-and-white constructions. Unfortunately, if this disc is representative (I haven't heard much else) it often sounds pretty meandering, depressingly gloomy and as if it is frantically gesturing at nothing in particular, although with some fine things and good ideas thrown in intermittently. The 15 minute Passaggio, from 1977, for instance, isn't without merit, but it does feel like it just goes on and on far longer than its material can sustain. The Heaventree of Stars, for violin and orchestra features lots of percussion coloring and a wider palette and displays lots of romantic sensibility, but few memorable touches - it is, in fact, a rather dreary work, and not one I'll revisit. Things fortunately pick up with Doubles, for oboe, harpsichord and strings, which is rather inventive and interesting. The most recent work, Star Children, is also a worthwhile work if very far from being a masterpiece, inventively put together with some well-shaped climaxes. The performances sound good - the solo parts in the concertante works are, for instance, admirably done.



I have always had trouble with Nimbus's sound, and here again the climaxes are somewhat murky, the various instruments sound distant and not particularly well balanced. To sum up, then, I strongly suspect this disc is mainly for fans of the composer (among which I do not, after having heard the disc, count myself), and its shortcomings are not due to the performances, as far as I can tell. Still, it is a generally worthwhile acquisition, and I don't want to discourage the adventurous from picking it up."