Search - James Carter, John Medeski :: Heaven on Earth (Dig)

Heaven on Earth (Dig)
James Carter, John Medeski
Heaven on Earth (Dig)
Genres: Jazz, Pop
 
  •  Track Listings (6) - Disc #1

Saxophonist James Carter and organist John Medeski (of the pioneering jam-band, Medeski, Martin & Wood) lead a supergroup featuring Christian McBride (bass), Adam Rogers (guitar) and Joey Baron (drums). Together they c...  more »

     
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CD Details

All Artists: James Carter, John Medeski
Title: Heaven on Earth (Dig)
Members Wishing: 1
Total Copies: 0
Label: Half Note Records
Original Release Date: 1/1/2009
Re-Release Date: 8/25/2009
Genres: Jazz, Pop
Styles: Avant Garde & Free Jazz, Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 616892454229

Synopsis

Product Description
Saxophonist James Carter and organist John Medeski (of the pioneering jam-band, Medeski, Martin & Wood) lead a supergroup featuring Christian McBride (bass), Adam Rogers (guitar) and Joey Baron (drums). Together they carve out a groove that captures the buzz and vitality of jam-jazz at its most exhilerating. Recorded live at the Blue Note in New York, the group throws down the funk on Django Reinhardt's "Diminishing," Larry Young's "Heaven On Earth," Leo Parker's "Blue Leo," and the songbook standard, "Street Of Dreams."

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CD Reviews

Fabulous Show
B. Nelson | Pacific NW, USA | 09/29/2009
(5 out of 5 stars)

"I was at the Blue Note for both sets the night this was recorded. I attend a lot of jazz shows and this was one of the best I've ever seen. Each musician in the band stands alone as a great artist; sometimes an All-Star cast doesn't necessarily guarantee that they will play well together. In this case, the combination is dazzlingly excellent. One of the best recordings of 2009."
All Star Band makes a great feel good record
Anthony R. Guarriello | Rutherfordton NC | 09/22/2009
(5 out of 5 stars)

"First off I must say as far as bands go this is like a Jazz All Star team. You've got players covering almost the entire spectrum of jazz music. Leading this group is James Carter who I feel is seriously underrated as far as sax players go. He plays tenor, soprano and baritone here & he plays them great with his original sound and his take on saxophone multiphonics in my opinion in an attempt to emulate guitar players like Jimi Hendrix and Jeff Beck who are masters of controlling feedback. On Hammond B3 is John Medeski who I feel needs no introduction he plays soulful organ more in the style of Larry Young rather then Jimmy Smith. Joey Baron at the drum set is killing, laying down greasy funk back beats and then swinging hard like Philly Joe he's awesome and this record wouldn't have come off as well without him. The incomparable Christian McBride is playing acoustic & electric bass. He is also killing throughout the entire album laying down james brown style electric grooves & swinging hard straight ahead style on upright while turning in some great solos as well. On guitar is Adam Rogers who in my opinion is becoming one of the best guitarists on the scene. I have to say that this is a live album and the band is not a regular working unit so there's a loose jam feeling to the tunes but these masters pull it off with grace. The music is a wide stylistic mixture of covers ranging from Django Reinhardt's "Diminishing" to Larry Young's "Heaven on Earth" also played is a Lucky Thompson tune Slap's Mistake and Street of Dreams. The songs are all extended with long solos and ensemble interplay which in my opinion makes the album. Bottom line is you get to hear five masters going to work at the Blue Note & having lots of fun enjoying each mans company."
Never Quite Takes Off
Karl W. Nehring | Ostrander, OH USA | 12/30/2009
(3 out of 5 stars)

"Heaven on Earth features James Carter on saxophone, John Medeski on organ, Adam Rogers on guitar, Christian McBride on bass, and Joey Baron on drums. Yes, this is certainly a band of all-stars, and there is some hot playing, but overall, the music never really seems to completely cohere. It just sounds like a bunch of guys playing. This might be entertaining when seen live, but as a recording, something to be played in the home, over and over again, it falls a bit short.



The main culprit is the leader, James Carter, who just seems to try too hard with his little bleeps and honks and squeaks. A little of this kind of stuff can add excitement, but when applied on just about every cut, these effects wear thin.



This is not a bad recording, and I am not condemning it to the dustbin of jazz history. It is an OK recording, with some fun moments, but for my ears at least, it is no better than that. Those who like this style of jazz would be well served to look up the recordings that Joey Baron cut as a leader on the ECM label, Down Home and We'll Soon Find Out. Featuring Arthur Blythe on sax, those were some greasy, funky, soulful sessions, and they come across as much more musically coherent that what we have here."