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R. Strauss: Four Last Songs
R. Strauss: Four Last Songs
Genres: Pop, Classical
  •  Track Listings (16) - Disc #1

These eleven new releases in the Classics for Pleasure series feature some of the finest orchestral and vocal music ever composed. Works for orchestra include Brahms's towering Piano Concertos, Bach's intimate Cello Suites...  more »


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CD Details

All Artists: Harper/Hickox
Title: R. Strauss: Four Last Songs
Members Wishing: 0
Total Copies: 0
Label: Class. for Pleas. Us
Original Release Date: 1/1/2008
Re-Release Date: 10/28/2008
Genres: Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 400000011974, 5099922837424


Album Description
These eleven new releases in the Classics for Pleasure series feature some of the finest orchestral and vocal music ever composed. Works for orchestra include Brahms's towering Piano Concertos, Bach's intimate Cello Suites, Haydn's elegant London Symphonies, and Tchaikovsky's wrenching Pathetique Symphony, while vocal music is represented by Strauss's autumnal Four Last Songs, and highlights from Wagner's Ring Cycle, Villa-Lobos's Bachianas Brasileiras, and Gilbert and Sullivan's The Gondoliers. These definitive performances feature artists such as Paul Tortelier, Sir Simon Rattle, Sir Adrian Boult, Victoria de los Angeles, Bernard Haitink, and more!

CD Reviews

Heather Harper sings RStrauss Orch Songs: A Vocal-Orch Keepe
Dan Fee | Berkeley, CA USA | 12/24/2008
(5 out of 5 stars)

"Time was when a listener could hardly find many recordings of these orchestral songs by Richard Strauss. That did not matter so much, so long as the available catalog included the likes of Elisabeth Schwarzkopf under Szell with the LSO on EMI, or her earlier mono EMI disc under Ackermann?

Then we sort of exploded into plenty of really good discs being released. Along with Schwarzkopf, I still have Jessye Norman, Jane Eaglen, Elisabeth Soderstrom, Christine Brewer, Kiri Te Kanawa, Monserrat Caballe, Leontyne Price, Soile Isokowski, Sylvia Sass, Arleen Auger, Lucia Popp, Felicity Lott, Gundula Janowitz, and Renee Fleming on my fav shelves. A real, lost sleeper disc on the old Rodolphe label has Theresa Zylis-Gara as the soprano solo singer, backed up by the Hannover Radio band under Franz Paul Decker - hard to find but very worth the effort. Now I can add this Heather Harper disc to my keeper lists without any reservations whatsoever. (What didn't I like? Well the Ricarda Merbeth on Naxos flopped? Nina Stemme, too, though I really loved how Antonio Pappano handled the Covent Garden orchestra. And, compared to Szell, I do not hear that the very competent conducting by Kurt Masur, Andrew Davis, Christoph Eschenbach, Andre Previn, and even Sir Georg Solti quite measures completely up - but, oh those voices, those voices, those voices!)

Part of the buyer's appeal here is that Classics For Pleasure is an unashamed budget label, so the disc offers a very good reading of these orchestral songs at an really affordable price. Students and people on budgets take note. Other song-lovers take note, too.

The sound is as good as red book CD stereo ever gets. No complaints there.

Richard Hickox can come across on discs as a solid but average conductor. He hardly ever does anything terribly wrong, but his tendencies for driving properly in the middle of the music roads can also leave him sounding a tad too ordinary to my ears. Happily, he gets everything just right in all of these songs. I cannot fault his tempo choices, nor his felicitous handling of the band (including all those tricky Straussian gear shifts and flowing tonal balances among the various departments of the band.) The LSO is simply on best behavior here, too. These orchestral songs are full of passing solo moments when somebody in the band needs to stand out without overly show-boating at the expense of either the singer or the overall musical fabric - and the solo players in the LSO demonstrate again how well they handle their spotlights while still listening to everybody else involved, including the star solo singer. Not least, the leader and the band are listening to the composer.

So far as the accompaniment goes, then, each song unfolds as the contained dramatic scena that its verse indicates. One appreciates anew how imaginatively the composer handled his varied poets, and though it is quite fashionable to rate Strauss as a second-tier composer, hearing his songs again reminds me that this second tier (if, indeed, we are on a second tier of western classical music) is still high enough to make cosmic and ethereal impressions that few listeners would forgo.

Heather Harper was a working soprano in the British Isles, and nobody wishes her ill. I have found sometimes that a past recording was not a keeper. In these orchestral songs I hear plenty worth keeping. She has no problems with range, and Strauss does ask his soprano to dip and soar as the song unfolds. Harper has no problem making herself heard through and above the band, either. And although I am no expert in Germanistik, her handling of the language and the texts seems unproblematic, even as knowing at times as, say, Schwarzkopf.

On this disc, the deeper impression is a glowing one, all about the composer and his vision and his musical gifts. That is just as it should be. What a wonderful stocking stuffer gift for the 2008 holidays. Yes - get this one, no quibbles, no drag. Five Stars."
A bargain front-runner for these lovely orchestrated songs
Santa Fe Listener | Santa Fe, NM USA | 11/01/2008
(3 out of 5 stars)

"It may seem odd that I'm giving three stars to a recording I call a front-runner, but there's a reason. Heather Harper was one of the most musical and intelligent lyric sopranos produced by England in the postwar period, but recording her in 1988 captured her warm, inviting voice a decade too late. There's no decline in technique and control, no wobble or off-pitch accidents. But the former luster and strength of tone have markedly diminished.

On the other hand, everything else about this CD is attractive. Hickox conducts Strauss confidently, inclining toward the composer's own podium style, which was fairly brisk and unsentimental -- dn't expect any lingering in the Four Last Songs. The LSO plays well and the sonics are good. One song, 'Der Arbeitsmann,' was a premiere, the orchestration having just been unearthed. Almost all the other items are familiar to lovers of Strauss's lieder output. I don't offhand know of another bargain CD with as many nice performances, but of course you can pay a little more and get incomparable accounts from Schwarzkopf and fresher ones from Felicity Lott. There's a bargain twofer from EMI featuring all of Barbara Hendricks's Strauss, and it's gorgeous as well."