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Good Morning Susie Soho
Est
Good Morning Susie Soho
Genres: Jazz, Pop
 
  •  Track Listings (11) - Disc #1


     
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All Artists: Est
Title: Good Morning Susie Soho
Members Wishing: 0
Total Copies: 0
Label: Sony / Bmg Japan
Original Release Date: 1/1/2003
Re-Release Date: 5/5/2003
Album Type: Import
Genres: Jazz, Pop
Styles: Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1

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CD Reviews

BEST JAZZ ALBUM IN ENGLAND, A FEW YEARS BACK
A.J.H. Woodcount | 10/21/2005
(5 out of 5 stars)

"Strangely enough, this album has never been reviewed before, while it's the most divers album of E.S.T. It was my first album of E.S.T. and I bought it because I heard such great pianoplaying coming form a room at the North Sea Jazz Festival in Holland, wich I couldn't get into, because it was to crowded. A jazzmagazine in England (I don't know exactly wich one), at the time the album came out, called it the best album of that year. I can't think of a better choice.

This is a review I've made for the other E.S.T.-albums:

The Esbjorn Svensson Trio is (one of) the best piano-trio's in the world. They prove the statement that it's impossible for jazz to renew itself, without changing it into something completely different to be totally wrong. The trio has been together for a long time, and that you can hear: they really listen to each other.
They have to, because they tend to put so much space or silence in their music, that it would be very hard to play when they didn't.
A lot of jazzcombinations change their strength a lot, and not always in their advantage. At jazzfestivals you here a lot of theme-solo-solo-solo-boringdrumsolo-theme-jazz, and that's allright when the individuals are interesting enough, but a lot of times it's simply not good enough. Somtimes the reason of that is that the bands are so good that they can change their personal a lot, but it doesn't always do the music good. And this is one of the differences between E.S.T. and some other jazzbands you could hear live.

And then there's their tendency to use 'classical' or folkthemes in their music. E.S.T. does that right too: they're not trying anything but to make great music. They're not playing Bach on a banjo (wich is nice, but doesn't really get to you), but they just look (or listen!) for good themes as a base for their music. That's what they do best and that's what makes all of their albums since From Gagarin's Point Of View worth bying.

What makes the music even better is that they seem to bring a lot of elements of their own Scandinavian musical culture into jazz. Maybe that's the explanation of the feeling you get when you see them play live: they really feel what they're playing. And that makes it possible for the audience to feel it to.

E.S.T. is a piano-bass-drums trio, but they sound bigger than a normal trio. Together with the great sound of acoustic instruments they sometimes put in some electronic elements, but they never overdo it. Most of the time they use it as a contast, to keep the balance between 'the beauty and the beast'. A slightly distorted piano can sound like a recording from 1920 and that effect should even be a plus for the traditional jazz-audience.

Esbjorn Svensson is a great pianoplayer. He can set a mood; he plays real good solo's; he almost lives his music. He's able to play very quietly and very loud and sometimes he does both thing within one tune but than a few times. He's very divers in his playing.

The drummer always gets to you. Sometimes he starts of unobstrusively but somewhere he likes to take the song over to give the tune a groove that can't be denied. By Thor, it's not all silence and quietness! Once again it's about the contrast.

On the album Strange Place For Snow you can hear a tune that has the bassplayer doing a very fast riddle together with the piano. The man on the bass used a line 6 pod (for guitar) on the two live shows I saw in Den Haag and Amsterdam to get some special effects. Very normal, considering what's being done in popular music. Also a great musician!

If you don't know anything about E.S.T. it doesn't matter what album since From Gagarin's Point Of View you buy. The ingredients are the same: beautifull themes, contrast, silence, some electronics, acoustic jazz, building up to climax etc.

Sometimes it's very irritating to see that good musicians don't get recognised enough for the things they are doing. And most of the time not because of the people being to stupid to recognise greatness or beauty, but because of comercial and not cultural considerations. When a lot of American jazzmusicians have that problem, what about Scandinavian? E.S.T. must be heared. Buy the album (or another one of E.S.T.) and spred the gospel of Scandinavian jazz!
"
Expensive But Worth It
Kurt Harding | Boerne TX | 10/23/2007
(5 out of 5 stars)

"Though I listen to a huge variety of music, I had never heard of the Esbjorn Svensson Trio until earlier this year when a friend back in California told me about them. He recommended Good Morning Suzie Soho, so I looked it up here and ordered it despite blanching at the steep price. When it arrived, just one listen told me the CD was worth every penny.
For the benefit of others who are on the fence about buying this, I'll describe the music as a bridge between the funk and fire of Ramsey Lewis and Joe Sample and the Zen-like piano trio offerings of Tord Gustavsen and Marcin Wasilewski. If you enjoy any of those, then you are almost bound to love this.
One of the things audiophiles will like about this CD is that the sound is about as close to perfect as it can get. You can hear every note of every instrument and so appreciate the trio's virtuoso presentation that much more. All pieces except The Face of Love are collaborative compositions of trio members. Consideration of the quality of the writing coupled with consideration of the quality of the musicianship makes the listener realize that this is one talented group indeed!
My favorites are the funky Do the Jangle, the long and atmospheric The Wraith, the bouncy title cut, the introspective Pavane, the rolling Spam-Boo-Limbo, the gypsy-infused The Face of Love, and the creeping, relentless "hidden" piece Untitled which follows the last cut listed on the back cover of the jewel case.
The only negative is that there are no liner notes in English. Granted, this is a Japanese import, but I would like to have been able to read as much about the trio and the music in English as was provided in Japanese.
If you like piano-based jazz and haven't yet heard the Esbjorn Svensson Trio, you are in for a treat when you get this."