Search - Death Cab for Cutie :: Transatlanticism

Christina B. from WATERLOO, IA
Reviewed on 10/10/2006...

This is a pretty good cd

0 of 2 member(s) found this review helpful.

Pure magic!

Clara | Charlottesville, VA | 10/13/2003

(5 out of 5 stars)

"As a die-hard DCfC fan, I've heard all their albums and this one, to me, seems the most coherent and complete. The themes run through each song seamlessly and, despite my heseitation at making a comparison, I consider this their best work yet.Here are the tracks:
1. The New Year
2. Lightness
3. Title and Registration
4. Expo '86
5. The Sound of Settling
6. Tiny Vessels
7. Transatlanticism
8. Passenger Seat
9. Death of an Interior Decorator
10. We Looked Like Giants
11. A Lack of ColorNow, this will come as a surprise to those of you who know me well, but while the lyrics are amazing, what first caught my ear with this album is the elegance of the sounds. It both starts and ends with what sounds like the noise a computer makes when it's running (the hum), giving it a sense of unity. I think that someone listening to a vocal-stripped version of this album could still tell it's DCfC, but there's a sense of greater freedom and distance from We Have the Facts and We're Voting Yes or The Photo Album. When I listen to "The New Year," I get a sense of opening up, where much of We Have the Facts . . . appears closed-off. As suggested in "The Sound of Settling" (track 5), this album proclaims "if you've got an impulse, let it out," clearly and with joy. On to individual songs. My favorites are "The New Year" (track 1), "Transatlanticism" (track 7), and "A Lack of Color" (track 11). "The New Year" and "Transatlanticism" present two different but convergent views of distance. "The New Year" suggests a solely physical difference, claiming if "the world was flat like the old days . . . there'd be no distance that could hold us back," while distance in "Transatlanticism" appears predominantly emotional. A rift--the Atlantic ocean--isolates the song's narrator from the rest of the world, "making islands where no island should go (oh no)." The point of "The New Year" is that distance can be overcome, while "Transatlanticism" bears the message that "the distance is quite simply much too far." The former has a progressive, moving beat, while the latter settles, resigned, into the simplicity of its percussive chords.While the album is by no means "happy," its message is progressive. Though "there's a lack of color here," we are told not to worry, that "this is fact not fiction for the first time in years." All the album's elements converge in the final track--the unity, the "cycle [that] never ends" (as demonstrated by the identical sounds at the end of "A Lack of Color" and the beginning of "The New Year"), and "a reason to stay." We are, together with DCfC, facing reality, and part of facing reality is recognizing not only our failings, but our capabilities. Transatlanticism is capable of transcending great distances, and of driving beauty into the human heart."

Yeah, it's good.

Andrew Hamada | Seattle, WA | 02/01/2004

(4 out of 5 stars)

"As always, let's just get a few things out of the way.If you're a die-hard DCfC fan, stop reading, you will buy the album regardless of anything I (or anyone else, for that matter) has to say about it.If you're an overblown emokid with a yen for the melodramatic, you should buy this CD. You may now stop reading.If you're a radio lover that is interested in this CD because hey, that guy from the Postal Service is in it and that Such Great Heights song is so good and it was on MTV2 and wow!, stop reading and don't buy the CD. There's a 90% chance you'll hate half the tracks on this album, just like you hated half the tracks on Give Up when you downloaded them all.If you're like me and you're vaguely familiar with DCfC's previous work and you liked what you heard, by the album - it's quite good and although it's differently shaped than, say, The Photo Album, it's still an album that feels death cab from start to finish in both ben's lyrics and the instrumentation.If you've never heard DCfC before, be warned: they're what the media monster has labeled as "emo" (which groups them unfairly with groups like Dashboard Confessional) because their lyrics have a personal draw toward experiences as opposed to the widely generic feel of most other music today. Transatlanticism in particular deals with relationships (and, as the name suggests, long distance relationships), and if you have (and of course you have!) experienced a relationship that ended, you'll find at least one line that calls out to you and says "Hey, I wrote lyrics for all the stuff you're feeling inside, and then I put chords to those lyrics that accentuate that feeling." Buy the CD."