|All Artists: Charlotte Gainsbourg|
Members Wishing: 5
Total Copies: 0
Original Release Date: 1/1/2010
Re-Release Date: 1/26/2010
Genres: Pop, Rock
Number of Discs: 1
SwapaCD Credits: 1
Genres: Pop, Rock
January 26th, 2010 marks the Because Music / Elektra release of Charlotte Gainsbourg's third studio album titled IRM. The title is derived from M.R.I, which reflects the medical procedure Charlotte had to go through after ... more »
Listen to Samples
January 26th, 2010 marks the Because Music / Elektra release of Charlotte Gainsbourg's third studio album titled IRM. The title is derived from M.R.I, which reflects the medical procedure Charlotte had to go through after suffering a head injury in a water skiing accident in 2007. The album is Charlotte's most personal to date, and is produced by acclaimed Grammy nominated artist/multi-instrumentalist Beck.
What started as a brief recording session between Charlotte Gainsbourg and Beck ended up to be the body of work that is IRM. Over the course of a year and a half of writing and recording together, Beck's role grew to encompass all aspects of the creative process. He worked seamlessly with Charlotte co writing the lyrics and produced and mixed the recording. (This is the first time he has ever been so involved in another artist's work.)
The title track from IRM was posted online as a free download via her official website on October 9th, and the official album trailer was featured on Pitchfork.com the same day. The official first single off the album is "Heaven Can Wait" featuring Beck. A video featuring the two stars premiered on AOL Music on November 18th.
Sonically, the album is a new direction for Charlotte Gainsbourg and her first in nearly four years. Beck's iconic and spacey production blends flawlessly with Charlotte's unique vocals and delivery. The release will be accompanied by a US promo tour in early 2010. Gainsbourg also recently graced the pages of Rolling Stone, Esquire, Vanity Fair, Nylon Magazine, Village Voice (cover), New York Times, Blackbook, Harper's Bazaar and more.
Similarly Requested CDs
Charlotte gives Beck a new voice
Jeff Loudon | Nashville, TN | 01/30/2010
(5 out of 5 stars)
"Chalotte Gainsbourg has had a rollercoaster of a life since the release of her last album, 5:55 in 2006. In 2007, she played Claire, a French artist who became one of Bob Dylan's wives in the movie I'm Not There. The same year, she fell victim to a water skiing accident that violently shook her brain and could have easily paralyzed or killed her. After undergoing emergency surgery, Charlotte was miraculously fine, but she had numerous M.R.I. scans afterwards to verify her stable condition. The title of this new album, the French term for M.R.I., clearly reflects Charlotte's mindset as this new album was produced.
Although Charlotte is the sole vocalist on all but one of the tracks on IRM, a great deal of the creative control on this solo record, including the majority of the songwriting credit, is given to Beck Hansen, commonly known as Beck. From the first measure of "Master's Hands," the lead track on IRM, Beck's influence is easily recognizable. Gainsbourg had already seemed to channel Beck's Mellow Gold on 5:55, but IRM captures the more experimental and percussive side of Beck heard on "Modern Guilt," Beck's most recent release.
The title track, "IRM", cleverly uses sample sounds of a running M.R.I. machine as the lyrics "Take a picture, what's inside? Ghost image in my mind" are sung by an intentionally emotionless Gainsbourg. While references to her life after the accident are not always so blatantly present, they can often be found hidden within a verse or chorus; Beck's obvious attempt to keep the music relative to the artist singing. The only track on which Beck does sing, Heaven Can Wait, he and Charlotte share nearly every word with a perfect balance. Neither Beck nor Gainsbourg are particularly gifted vocalists, but their lack of refinement seems to give an additional honesty to the words being sung.
It seems strange to call this a Charlotte Gainsbourg solo album with Beck's influence reigning over every last aspect of the work, but what started as a small recording session between the two blossomed into an incredible success. Charlotte's last record, certified platinum in France, never achieved much success in the US, but with a little help from the cunning king of musical imagery, I have no doubt IRM will finally provide her with the recognition she deserves.
Similar Artists: Beck, Regina Spektor
Track Suggestion: IRM"
Quite Simply Impressive
Mark Abrahamsen | Desolation Row | 02/23/2010
(5 out of 5 stars)
"I've been a huge fan of Beck of a long, long time, I have nearly every single Beck record (I don't have the counterpart to One Foot In The Grave, yet). So, when I heard he was producing this record, that got me interested. Just her alone is impressive, but his part in it makes all that much better. I think her other records are very much worth getting as well, I wish I'd heard of her sooner. Both are incredibly innovative by themselves, the pairing makes this record doubly artistic. I'll definately be listening to this one for years to come."
4.5 stars... Winning album from start to finish
Paul Allaer | Cincinnati | 02/09/2010
(4 out of 5 stars)
"Charlotte Gainsbourg is a well-known actress, but with a serious musical legacy, being the daughter of Serge Gainsbourg, the French music icon. She's made a couple of interesting albums over the years, her 2006 album "5:55" being quite good. For her new album, Charlotte enlisted the help of Beck, and his presence looms large over this album.
"IRM" (13 tracks; 42 min.) sound to me like a new Beck album, sung by Charlotte, not that I'm complaining. Beck wrote 12 of the 13 tracks on here, and the songs contain the quirkiness you would expect from Beck, but it must be said that Beck wrote the songs just perfectly to Charlotte's personality. The first 2 tracks set the table, "Master's Head" and "IRM" are just fun, dance-along tracks. Next comes "Le Chat du Cafe des Artistes", a moody tune with Charlotte's sultry French lyrics, just great. "In the End" is a short 2 min. interlude that plays perfectly to Charlotte's vocals. "Heaven Can Wait" is a great little song that should find airplay if commercial mainstream radio was any good still (which of it isn't). Most of the songs are pretty short, they make their musical point and move on, and that's just peachy with me. "Vanities" is as haunting as you'll ever hear. "Trick Pony" is a hard-charging short tune that I just love. The album closes with two of its best tunes, the quirky upbeat "Voyage" and the closer "La Collectionneuse" which sums up the album perfectly (and at 5 min. is the longest track on here).
What a fantastic album this is from start to finish. Charlotte is scheduled to play Coachella in April, and this is surely one of the most anticipated sets for me. If you are on the fence about this album, but like Beck, by all means, buy this, you will not be disappointed. If you wonder where you can hear this album, check out WOXY (BAM! The Future of Rock and Roll), the internet-only station that brings the best indie-music in the country and where this album continues to be in heavy rotation as we speak. Meanwhile, "IRM" is highly recommended!"