Mule Skinner Blues - Bill Monroe, Rodgers, Jimmie [1]
No Letter in the Mail - Bill Monroe, Carlisle, Bill
Cryin' Holy Unto My Lord - Bill Monroe, Traditional
Six White Horses - Bill Monroe, Moody, Clyde
Dog House Blues - Bill Monroe, Frank, J.L.
I Wonder If You Feel the Way I Do - Bill Monroe, Wills, Bob
Katy Hill [Instrumental] - Bill Monroe, Traditional
Tennessee Blues [Instrumental] - Bill Monroe, Monroe, Bill [1]
Shake My Mother's Hand for Me - Bill Monroe, Wright, Johnnie
Were You There When They Crucified My Lord - Bill Monroe, Traditional
Anniversary Blue Yodel [Blue Yodel No. 7] - Bill Monroe, Rodgers, Jimmie [1]
The Coupon Song - Bill Monroe, Traditional
Orange Blossom Special - Bill Monroe, Rouse, Ervin T.
Honky Tonk Swing - Bill Monroe, Monroe, Bill [1]
In the Pines - Bill Monroe, Bryant, Slim
Back Up and Push - Bill Monroe, Traditional
Great Speckled Bird - Bill Monroe, Carter, Roy
No Home No Place to Pillow My Head - Bill Monroe, Traditional
New River Train - Bill Monroe, Traditional
Once I Had a Darling Mother - Bill Monroe, Traditional
On the Banks of the Ohio - Bill Monroe, Traditional
Weeping Willow Tree - Bill Monroe, Monroe, Charles
Just a Song of Old Kentucky - Bill Monroe, Monoe, Bill
Don't Forget Me - Bill Monroe, Monroe, Bill [1]
I Am Thinking Tonight of the Old Folks - Bill Monroe, Monroe, Charles
Despite both the historical importance and high quality of these 25 songs, this collection remains a bit vexing. For one, Bill recorded more than 60 tracks with older brother Charlie between 1936 and 1938, but only 9 appea... more »r here. In addition, their two best-known (and earliest) collaborations--"My Long Journey Home" and "What Would You Give in Exchange (For Your Soul)"--are omitted (they can be found at the beginning of the four-CD Music of Bill Monroe instead). The remaining 16 cuts focus on Bill's transitional banjoless "pregrass" recordings from 1940 and 1941, which offer hints--forceful mandolin picking, intricate harmonies--of the more-refined trademark sound to come. The music herein is often spectacular: the rough-and-tumble quartet produces raging instrumentals ("Katy Hill," "Tennessee Blues"), fervent gospels ("Cryin' Holy unto the Lord," "Were You There?"), and poignant ballads ("In the Pines," "No Letter in the Mail") that bridge the gap between traditional country and bluegrass. The brother duos are terrific examples of the close-harmony style of the 1930s and truly deserve a deep compilation of their own. --Marc Greilsamer« less
Despite both the historical importance and high quality of these 25 songs, this collection remains a bit vexing. For one, Bill recorded more than 60 tracks with older brother Charlie between 1936 and 1938, but only 9 appear here. In addition, their two best-known (and earliest) collaborations--"My Long Journey Home" and "What Would You Give in Exchange (For Your Soul)"--are omitted (they can be found at the beginning of the four-CD Music of Bill Monroe instead). The remaining 16 cuts focus on Bill's transitional banjoless "pregrass" recordings from 1940 and 1941, which offer hints--forceful mandolin picking, intricate harmonies--of the more-refined trademark sound to come. The music herein is often spectacular: the rough-and-tumble quartet produces raging instrumentals ("Katy Hill," "Tennessee Blues"), fervent gospels ("Cryin' Holy unto the Lord," "Were You There?"), and poignant ballads ("In the Pines," "No Letter in the Mail") that bridge the gap between traditional country and bluegrass. The brother duos are terrific examples of the close-harmony style of the 1930s and truly deserve a deep compilation of their own. --Marc Greilsamer