Search - Art Pepper :: Modern Art

Modern Art
Art Pepper
Modern Art
Genres: Jazz, Pop
 
  •  Track Listings (13) - Disc #1

Art Pepper made a name for himself in the early 1950s as a West Coast alto saxophonist who could play the complex harmonies of bop, but was not a slavish imitator of Charlie Parker. Pepper's intelligently-structured soloin...  more »

     
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CD Details

All Artists: Art Pepper
Title: Modern Art
Members Wishing: 3
Total Copies: 0
Label: Blue Note Records
Release Date: 10/25/1990
Genres: Jazz, Pop
Styles: Cool Jazz, Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 077774684828, 077774684859

Synopsis

Amazon.com
Art Pepper made a name for himself in the early 1950s as a West Coast alto saxophonist who could play the complex harmonies of bop, but was not a slavish imitator of Charlie Parker. Pepper's intelligently-structured soloing was the epitome of California cool. Modern Art, recorded after he had served time in jail on drug charges, is a reissue of 1956 and 1957 sessions recorded for Alladin with either Russ Freeman or Carl Perkins on piano, Ben Tucker on bass, and Chuck Flores on drums. "Blues In" opens the session with a fine example of Pepper's soloing style. The swing classic "Stompin' at the Savoy" is an unbridled joy. "Cool Bunny," the two takes of "Diane's Dilemma," and alternate takes of "Fascinating Rhythm" and "Begin the Beguine" are other highlights. --John Swenson
 

CD Reviews

Consummate West Coast Cool Jazz
09/06/2000
(5 out of 5 stars)

"The cover can tell you a lot about this CD. I think the photograph exactly typifies a time, a life-style, a mood. This is the late-Fifties West Coast jazz world we're in. A good-looking young man dressed in a sharp suit, white shirt and understated tie, sits at a table with his faithful saxophone at his elbow, an abstract painting hanging on the wall behind him. His expression is a mixture of cool, detached concentration, with maybe just a hint of the assured, almost surly, "who-gives-a-s**t" rebel. I don't know who took this photograph or whether others from the same session were ever used, but it is an image that I think matches the music to perfection. It seems unfair to single out a track for special mention - the whole mood of the album just cruises along at a very high standard. It sounds like a bunch of musicians who are just enjoying themselves, confident they are excelling at their craft on the day. "Hey guys, we're good, and we don't care who knows it." The only minor negative I would offer is the recording sound. This isn't hi-fi demonstration material. If you're a real hi-fi enthusiast it may seem a bit shallow and with slightly unnatural tones to some of the instruments. However, it is clean and dynamic, and the tracks are played with such enthusiasm and ability that the quality of the music shines through. This is great listening and thoroughly recommended."
Best Art Pepper CD
07/06/1999
(5 out of 5 stars)

"Most Art Pepper discs from the 1950s are solid. However this counts as perhaps the best disc to have if you only want to try one. It contains over an hour of his best work with no weak tracks."
One of the best jazz albums
Rohan Tissa de Silva | Milwaukee | 03/21/2005
(5 out of 5 stars)

"I own hundreds of jazz cd's, and sometimes someone wants to know if I have a favorite. I can't say I have one favorite, but this is up there in the top 5. I recommend this CD to any serious jazz fan who somehow has overlooked one of the most talented sax players ever, anyone interested in "cool" jazz, anyone trying out jazz for the first time, and any jazz musician looking to hear some inspiring solo work. It's a true album, where every track belongs, and it plays well, in order, from start to finish, over and over again."