Search - Alice in Chains :: Alice in Chains

Alice in Chains
Alice in Chains
Alice in Chains
Genres: Alternative Rock, Pop, Rock, Metal
  •  Track Listings (12) - Disc #1

No Description Available No Track Information Available Media Type: CD Artist: ALICE IN CHAINS Title: ALICE IN CHAINS Street Release Date: 11/07/1995


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CD Details

All Artists: Alice in Chains
Title: Alice in Chains
Members Wishing: 2
Total Copies: 2
Label: Sony
Original Release Date: 11/7/1995
Release Date: 11/7/1995
Genres: Alternative Rock, Pop, Rock, Metal
Style: Alternative Metal
Number of Discs: 1
SwapaCD Credits: 1
Other Editions: Alice In Chains
UPCs: 074646724828, 5099748111425, 5099748111494, 766487088329, 074646724880, 207464672488


Product Description
No Description Available
No Track Information Available
Media Type: CD
Street Release Date: 11/07/1995

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Member CD Reviews

Jeff V. (ElJefe) from DIXON, IL
Reviewed on 4/25/2015...
Not as good as 'Dirt' but still well worth checking out.
0 of 1 member(s) found this review helpful.
Shelly P. (noodlesalad)
Reviewed on 11/28/2006...
comes in a colored jewel case. purple and lime green
1 of 4 member(s) found this review helpful.

CD Reviews

Alice In Chains most underappreciated album
Daniel Maltzman | Arlington, MA, USA | 04/22/2005
(5 out of 5 stars)

"In 1995, Alice In Chains released what would be its final studio album, simply titled "Alice In Chains," AKA "Tripod" (because the album cover has a three legged dog). Although the self-titled disc sold well, it has never received the acclaim or fan adoration that it deserves.

Following the release of their 1992 masterpiece "Dirt," Alice In Chains released a seven song semi-acoustic album, "Jar of Flies," the following year. For their next project, Alice In Chains went back to a heavier sound with their self-titled CD. Alice In Chains self-titled album is a metal album in the same vein as "Dirt," but it is also distinctly different from its predecessor. While a majority of "Dirt" was fast-paced and intense, the self-titled album is far more sluggish, and the songs more mid-tempo, but without sounding tepid. The album sort of grinds its way though-but I don't mean that as a negative, because everything works. Although this is a slothful sounding album, it always stays intriguing and never runs out of steam. Whereas "Dirt" kind of screamed in agonizing pain, the self-titled album sort of moans in agonizing pain. The album has a freak show, nightmare-ish quality. This is an extremely depressing album. Song, after song, everything is a downer after another. But it does end on a slightly more optimistic note with "Over Now."

The band sounds as tight and cohesive as ever on "Tripod". As always, Jerry Cantrell's riffs and solos are intriguing and interesting, with each and every song. Layne Staley's singing sounds a little more downcast, but no less powerful. Drummer Sean Kinney and Bass player Mike Inez provided a dynamic and powerful rhythm section.

I find that the self-titled album differs from past albums to some extent lyrically. I find a majority of the song on "Facelift," and "Dirt" to be straightforward and a lot of the songs on the self-titled album to be somewhat ambiguous. The meaning behind songs like "Grind," "Brush Away," "Shame in You," "Head Creeps," etc. is rather obscure. But this isn't a bad thing as the lyrics never seem pretentious.

Another thing different about the self-titled album is the surprising amount of material sung by guitarist Jerry Cantrell. Although Cantrell had sang a few AIC songs on prior releases, his presence here is more pervasive. Cantrell has a fine singing voice, so this is not a problem. Cantrell's straightforward heartfelt vocals compliant Layne Staley's eerie singing perfectly.

"Tripod" starts out with the amply titled "Grind," as the song grinds its way through. It sounds like the riff was inspired straight out of the Tony Iommi sound book. It reminds me a little of Black Sabbath's "Sabbath Bloody Sabbath." Layne Staley's eerie background vocals over Jerry Cantrell's lead vocals work really well. The ghostly "Brush Away" has an intense, almost paranoid feel to it. "Sludge Factory" is one of the album's highlights. This is a very creepy song. Staley's dark, frightening vocals are spine-chilling. The mood switches from chilling to dismal with the beautifully gloomy "Heaven Beside You." The song actually feels, as one of its lines states, "like the coldest winter chill." Again, Staley's vocals over Cantrell's sound excellent. "Head Creeps" is another mid-tempo sluggish rocker and keeps up the momentum. "Again," is another one of the albums highlights. It has an infectious, bone-crunching riff and an intense frantic chorus. Staley sounds despondent in "Shame In You," and "God Am." The slow paced, soft-spoken "Shame In You" features a very cool, extended solo at the end. Staley sounds as though he were reaching his wits-end in the Sabbath-like "God Am." The tempo is picked up a bit with the ferocious "So Close." It actually sounds as though it could have been used for "Dirt." The dismal "Frogs" is a song that you really need to be in the right mood to hear. It seems to go on forever. It is very soft-spoken and mellow, yet also intense, as though Staley were about ready to explode. The album closes with the beautiful semi-acoustic Cantrell sung "Over Now." Peaceful resignation seems to be its theme.

Alice In Chain's self-titled, "Tripod," album is one of the most gloomy, despondent albums ever recorded. But it's also a finely written one. Although it's a very cheerless album, there is an undeniable beauty to it.
Intense, disturbing, ironic and ultimately moving
Samhot | Star Land | 02/15/2003
(5 out of 5 stars)

"Originally called "Tripod" (evidenced by the 3-legged dog on the front cover, and 3-legged man on the back cover), this self-titled album divided many Alice In Chains fans, who probably longed for the band to return to the faster-paced doom-rock found on _Dirt_. They didn't lose the doom, but, things became a bit more slower, absorbing and sophisticated this time around.

Come 1995 and on, all kinds of rumors were flying around about Alice In Chains: (1). The band would continue in the direction of _Jar Of Flies_, never making another hard rock/metal album again. (2). Layne Staley was drugged-out, losing his teeth and some of his fingers as a result of gangrene (due to heroin abuse and other things.) The former was obviously not true, since this album was a hard rock/metal album. But, the latter was supposedly true. I can't confirm too much more, since I don't know too much about this band, so I'll just get on with the content found on this disc.

The music on here is dark as usual, exploring themes like pain, drug addiction, misery, depression and other things. "Grind" is an intense, grimy cruncher with some distorted backing vocals from Layne Staley during the verses. Jerry Cantrell sings lead vocals here for most of the track. "Sludge Factory" is my personal favorite on here. It features a slowly simmering, scorching, ominous, eerie guitar line fronted by a swapping of snaky vocal harmonies and a seemingly indifferent, but commanding line from Layne, rounded off with some descending jazzy basslines. This is only the description for the main theme that segues into the verses. Such seemingly odd fanfare that actually works. The ending features some robotic vocals, ominous guitar solos and some thick, doomy basslines. "Heaven Beside You" was supposedly written about Nirvana's Kurt Cobain. "Head Creeps" is a disturbing number featuring Layne, once again, in a distorted vocal performance. "Shame In You" sounds like something that could have came off of _Jar Of Flies_, as it's probably the most mellow on the album. A poignant ballad. "God Am" features some crunchy guitar, fronted by Layne Staley's moving and plaintive vocals. His vocals on the chorus are so melodic and moving, it makes this an aching listen. "So Close" and "Nothin' Song" seem to lighten up the mood a little bit - at least on a musical level, as both feature moments that actually make me laugh. "Frogs" is a haunting, slow and melodic number, for the first four minutes. The last few minutes feature Layne mumbling mysteriously. "Over Now" seems out of place on this album. The reason is because it's more pop/rock oriented, and is not as dark as the rest of the album. However, it's melodic, tasteful, reflective and catchy. However, the scathing irony of all of this is that the title of this song seemed to foreshadow the future of the band, and this was the last track of their last studio album. Very scary.

This is quite an astounding album, even if it was a departure from the material found on _Dirt_. Certainly worth a listen if dark, eerie, thought-provoking and moving music is your cup of tea. R.I.P. Layne Staley."