Jeff V. (ElJefe) from DIXON, IL Reviewed on 4/25/2015...
Not as good as 'Dirt' but still well worth checking out.
0 of 1 member(s) found this review helpful.
Shelly P. (noodlesalad) Reviewed on 11/28/2006...
comes in a colored jewel case. purple and lime green
1 of 4 member(s) found this review helpful.
Alice In Chains most underappreciated album
Daniel Maltzman | Arlington, MA, USA | 04/22/2005
(5 out of 5 stars)
"In 1995, Alice In Chains released what would be its final studio album, simply titled "Alice In Chains," AKA "Tripod" (because the album cover has a three legged dog). Although the self-titled disc sold well, it has never received the acclaim or fan adoration that it deserves.
Following the release of their 1992 masterpiece "Dirt," Alice In Chains released a seven song semi-acoustic album, "Jar of Flies," the following year. For their next project, Alice In Chains went back to a heavier sound with their self-titled CD. Alice In Chains self-titled album is a metal album in the same vein as "Dirt," but it is also distinctly different from its predecessor. While a majority of "Dirt" was fast-paced and intense, the self-titled album is far more sluggish, and the songs more mid-tempo, but without sounding tepid. The album sort of grinds its way though-but I don't mean that as a negative, because everything works. Although this is a slothful sounding album, it always stays intriguing and never runs out of steam. Whereas "Dirt" kind of screamed in agonizing pain, the self-titled album sort of moans in agonizing pain. The album has a freak show, nightmare-ish quality. This is an extremely depressing album. Song, after song, everything is a downer after another. But it does end on a slightly more optimistic note with "Over Now."
The band sounds as tight and cohesive as ever on "Tripod". As always, Jerry Cantrell's riffs and solos are intriguing and interesting, with each and every song. Layne Staley's singing sounds a little more downcast, but no less powerful. Drummer Sean Kinney and Bass player Mike Inez provided a dynamic and powerful rhythm section.
I find that the self-titled album differs from past albums to some extent lyrically. I find a majority of the song on "Facelift," and "Dirt" to be straightforward and a lot of the songs on the self-titled album to be somewhat ambiguous. The meaning behind songs like "Grind," "Brush Away," "Shame in You," "Head Creeps," etc. is rather obscure. But this isn't a bad thing as the lyrics never seem pretentious.
Another thing different about the self-titled album is the surprising amount of material sung by guitarist Jerry Cantrell. Although Cantrell had sang a few AIC songs on prior releases, his presence here is more pervasive. Cantrell has a fine singing voice, so this is not a problem. Cantrell's straightforward heartfelt vocals compliant Layne Staley's eerie singing perfectly.
"Tripod" starts out with the amply titled "Grind," as the song grinds its way through. It sounds like the riff was inspired straight out of the Tony Iommi sound book. It reminds me a little of Black Sabbath's "Sabbath Bloody Sabbath." Layne Staley's eerie background vocals over Jerry Cantrell's lead vocals work really well. The ghostly "Brush Away" has an intense, almost paranoid feel to it. "Sludge Factory" is one of the album's highlights. This is a very creepy song. Staley's dark, frightening vocals are spine-chilling. The mood switches from chilling to dismal with the beautifully gloomy "Heaven Beside You." The song actually feels, as one of its lines states, "like the coldest winter chill." Again, Staley's vocals over Cantrell's sound excellent. "Head Creeps" is another mid-tempo sluggish rocker and keeps up the momentum. "Again," is another one of the albums highlights. It has an infectious, bone-crunching riff and an intense frantic chorus. Staley sounds despondent in "Shame In You," and "God Am." The slow paced, soft-spoken "Shame In You" features a very cool, extended solo at the end. Staley sounds as though he were reaching his wits-end in the Sabbath-like "God Am." The tempo is picked up a bit with the ferocious "So Close." It actually sounds as though it could have been used for "Dirt." The dismal "Frogs" is a song that you really need to be in the right mood to hear. It seems to go on forever. It is very soft-spoken and mellow, yet also intense, as though Staley were about ready to explode. The album closes with the beautiful semi-acoustic Cantrell sung "Over Now." Peaceful resignation seems to be its theme.
Alice In Chain's self-titled, "Tripod," album is one of the most gloomy, despondent albums ever recorded. But it's also a finely written one. Although it's a very cheerless album, there is an undeniable beauty to it. "
Intense, disturbing, ironic and ultimately moving
Samhot | Star Land | 02/15/2003
(5 out of 5 stars)
"Originally called "Tripod" (evidenced by the 3-legged dog on the front cover, and 3-legged man on the back cover), this self-titled album divided many Alice In Chains fans, who probably longed for the band to return to the faster-paced doom-rock found on _Dirt_. They didn't lose the doom, but, things became a bit more slower, absorbing and sophisticated this time around.
Come 1995 and on, all kinds of rumors were flying around about Alice In Chains: (1). The band would continue in the direction of _Jar Of Flies_, never making another hard rock/metal album again. (2). Layne Staley was drugged-out, losing his teeth and some of his fingers as a result of gangrene (due to heroin abuse and other things.) The former was obviously not true, since this album was a hard rock/metal album. But, the latter was supposedly true. I can't confirm too much more, since I don't know too much about this band, so I'll just get on with the content found on this disc.
The music on here is dark as usual, exploring themes like pain, drug addiction, misery, depression and other things. "Grind" is an intense, grimy cruncher with some distorted backing vocals from Layne Staley during the verses. Jerry Cantrell sings lead vocals here for most of the track. "Sludge Factory" is my personal favorite on here. It features a slowly simmering, scorching, ominous, eerie guitar line fronted by a swapping of snaky vocal harmonies and a seemingly indifferent, but commanding line from Layne, rounded off with some descending jazzy basslines. This is only the description for the main theme that segues into the verses. Such seemingly odd fanfare that actually works. The ending features some robotic vocals, ominous guitar solos and some thick, doomy basslines. "Heaven Beside You" was supposedly written about Nirvana's Kurt Cobain. "Head Creeps" is a disturbing number featuring Layne, once again, in a distorted vocal performance. "Shame In You" sounds like something that could have came off of _Jar Of Flies_, as it's probably the most mellow on the album. A poignant ballad. "God Am" features some crunchy guitar, fronted by Layne Staley's moving and plaintive vocals. His vocals on the chorus are so melodic and moving, it makes this an aching listen. "So Close" and "Nothin' Song" seem to lighten up the mood a little bit - at least on a musical level, as both feature moments that actually make me laugh. "Frogs" is a haunting, slow and melodic number, for the first four minutes. The last few minutes feature Layne mumbling mysteriously. "Over Now" seems out of place on this album. The reason is because it's more pop/rock oriented, and is not as dark as the rest of the album. However, it's melodic, tasteful, reflective and catchy. However, the scathing irony of all of this is that the title of this song seemed to foreshadow the future of the band, and this was the last track of their last studio album. Very scary.
This is quite an astounding album, even if it was a departure from the material found on _Dirt_. Certainly worth a listen if dark, eerie, thought-provoking and moving music is your cup of tea. R.I.P. Layne Staley."
Fred Beckett | Portland, OR | 05/10/2003
(5 out of 5 stars)
"Before I start, I'd like to ask: Why do some people hate 'Frogs?' This is my favorite song off the record. Long, sludgey, great guitar and bass. I'm a bass player myself and I found Frogs fun to play along to. The rest of Tripod is great as well. What I dig about Alice In Chains is their sludge grunge is backed up by melody. Very enjoyable, headbanging material here. This is obviously the late Layne Staley's masterpiece, having written most of the sings on here (Cantrell's work is also great) and singing his best yet. Grind - Nice opener, great chorus. Sounds kinda like classic, old Alice in Chains (Facelift).Brush Strokes - This song doesn't really catch my attention. Kinda weak compared to some others, but some nice guitar stuff going on here.Sludge Factory - A great, powerfull, heavy riffing tune. One of my favorites.Heaven Beside You - most mellow track, and one of the best. This is some great work by Jerry Cantrell.Head Creeps - Second only to 'Frogs'. 'Head Creeps' and alot of stuff after it are more fast paced. I love the little "no more time" thing Staley does.Again - Great stuff here. Fast paced, like 'Head Creeps'.Shame in You - Another mellow one, and this one doesn't really catch my attention like some of the others. Still pretty nice, though.God Am - Probably the best opening guitar riff I've ever heard. Great song. So Close - Short, isn't it? Short but sweet, actually. This is a great song, and once again, I like the guitars.Nothin' Song - This one cracks me up. Definitely not filler, contrary to what some folks think. Frogs - The best song off the album, and the 2nd best AiC song ever. This one never ceases to amaze me. The melodic guitar riff at the beggining of the chorus...Wowzer. And the mumbling at the end, while making no sense whatsoever, is still a part of the song, and pretty darn good, too. Great song. Much better than the unplugged version, which was also great.Over Now - Yea, AiC is over now. But with Tripod, they went out with a bang. 'Over Now' is a J. Cantrell song, and a good one at that. You can really tell the difference between the styles of Staley and Cantrell.Tripod, Facelift and Dirt are like grapes, apples and oranges. All different from eachother in style. But I guess I like the sludgey, melodic, slow paced Tripod a bit better than the first two LPs. I reccomend this to any rock fan."
Great music from great guys
youthanasia | Istanbul, Turkey | 05/14/2000
(5 out of 5 stars)
"I would say this Alice In Chains album is much more "complete" than the previous ones. All the songs have a certain mood to them and they are very dark. Songs are more complex than in Dirt. Tracks like Brush Away, Sludge Factory, Head Creeps and Again are very heavy and will get you going if you are looking for great, distorted riffs on this album. There are slower songs too, like Heaven Beside You and Shame In You and there is some darkness thrown into those as well. I would agree with other people's comments on Layne Staley. He doesn't scream and use his voice as he used to do in Facelift, but he is still great and very different from any of the other singers I heard in my life. He is a very talented man, and you can still hear that on songs like Frogs. I would say that there are nearly no fillers on this album (there are just 2 in my opinion), and all the songs rock. If you have listened to previous Alice In Chains albums or even Unplugged, and you liked them, I strongly urge you to buy this one. I think this album is their best. But it takes time to get used to it, and you probably will not like it the first time you hear it.As for the people who have never listened to an Alice In Chains album or heard just a couple of tracks of them, don't buy this album. If you are one of these people, I advise you to buy either Dirt or unplugged, THEN get this cd. This was my first AIC cd, and it took me a long while before I started liking it."
I like it
Brandon | Phoenix, Az USA | 03/05/2006
(5 out of 5 stars)
"I Know that i am part of the minority but this is my favorite album by alice in chains
Grind: 10/10 Awesome and great jerrys voice is good at the start. throughout the whole song jerry and lyne sound magnificent with jerry as the main guy with laynes voice backing it and it sounds great.
Brush Away: 9.7/10 Great as well i like this song a lot. a semi acoustic start and the song has good lyrics like" my conception a joke or latest craze; i try to get away and yet i stick around so fall and crawl away and brush away loose ground" the solo is alright but sounds a lot like the rest using jerrys favorite tool obviously the "wah" bar.
Sludge Factory: 9.6/10 One of the heaviest riffs at the start and the ending is one of the best because of whatever theyre doing but all you can understand is your weapon is Kill! the song is good and jerry doesnt sing at all it is all layne but it will surprise you how hard the starting riff is.
Heaven Beside You: 10/10 Jerrys song and it is one their best the entire song is unclear and semi acoustic i think its about jerrys exgirlfriend or something like that.
Head Creeps: 9.7/10 One of the best songs on the album. laynes voice could not sound wierder but the song has great lyrics like " tired of infantile claims" or "one day my head creeps someway my head leaks some way my brain leaks some way" then he does creepy moaning screams.
Again: 9.2/10 Maybe good but the lyrics are all very short in all the songs lyrics to the song are very simplistic as i stated has a very catchy tune.
Shame in You: 8/10 Is good but is the start of the less heavy songs very moany
God Am: 9.1/10 Good but i like the live version better as well picks up the heavy again layne says something about gods at the beggining but i cant tell what he says
So Close: 8.7/10 Great. but it sounds a little out of tune the start has a guy say something like hes got my eyes.
Nothin Song: 6/10 Too long and you have to listen to it a lot to even come anywhere to like it took me forever just to listen to it...
Frogs: 7/10 continues to the longness but its pretty good just like nothin song
Over Now: 9.8/10 Another all Jerry song and it is awesome but semi acoustic so it sounds like it needs to be on sap just like heaven beside you an all jerry song and is very calm and melodic. jerrys voice is very smooth. "