Must be heard to be believed !
Denis | 04/10/2006
(5 out of 5 stars)
"Beethoven's String Quartets are well known for their inventiveness. The mold of the string quartet form, established by Haydn, was shattered by Beethoven's profound expression and expansion of the "rules." Between 1999 and 2003, the renowned Praz?k Quartet recorded all of the Beethoven string quartets, and this match of program and performers is one made in heaven.
The Praz?k ensemble approaches each quartet with a Bohemian flair for passion and perfection that must be heard to be believed. The interpretations are paradoxically respectful and irreverent, as if the ensemble was channeling the composer's desire to push the boundaries of the status quo while still remaining faithful to the spirit of what has been established. One of the many highlights of the set is the "Grosse Fuge Op.133" - written when the composer was completely deaf - which inspired Stravinsky to exclaim that the composition was "an absolutely contemporary piece of music that will be contemporary forever."
Praga Digitals has packaged together all of the quartet recordings in a box comprised of hybrid stereo/multi-channel SACDs. In fact, only three of the seven discs contain multi-channel mixes; nonetheless, the performances are so exceptional that the entire set is recommended. The sound quality on each disc is consistent and of very high quality, with only a tinge of edginess affecting the strings.
The hybrid discs include standard resolution layers for regular CD players, and the set also provides a english booklet liner notes analyzing each opus.
A must"
The finest modern cycle.
Iyer | Bethesda, MD | 12/13/2006
(5 out of 5 stars)
"A complete review will follow soon, but I am posting a rating now since it is the season of giving. Give yourself, or someone you love, this astonishingly fine traversal of the Beethoven quartets. Forget the excessively-hyped, though still very good, Takacs set. This is the one to get!
(I am curious as to what passages in what quartets Mr. Goretsky finds "unnecessarily fortissimo"? He bases this on Beethoven's instructions, presumably?)"