Revelatory, "Unknown" Schubert...
Sébastien Melmoth | Hôtel d'Alsace, PARIS | 12/05/2007
(5 out of 5 stars)
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Splendid German ensemble The Singphoniker débuts many "lost" works by Schubert for male vocalise.
Highlights of this disc include:
~:11min. line of Goethe's "Song of the Spirit over the Waters" D.714--an exceptional vocal Octet (4T 4B) with unusual string Quintet accompaniment (2 violas, 2 celli, and double bass);
~:06min. late-setting (1827) of Seidl's "Nightsong in the Woods" D.913--for vocal quartet (TTBB) with four horns;
:03min. poem by Schubert on "Father's Name Day" D.80--for trio (TTB) and guitar;
:05min. "The Winter Day" D.984--quartet and piano;
~:08min. line of Hölty's "May Song" ('Der Schnee zerrinnt' ['The Snow Melts...']) D.202--for unusual combo of BB/2horns;
~:06min. lyric by Schubert "For Salieri's 50th Anniversary Celebration" D.407--for T solo, quartet and piano;
~:05mins. on Gaudenz von Salis-Seewis' "The Grave" D.569--for unison male choir and piano.
(Poe-ish, morbid thoughts were never far from Schubert--nor indeed post-Schubertian Bruckner--cf., Zwei Totenlieder, WAB 47-8.)
Bruckner: Te Deum, Motets, Psalm 150 / Jochum, Berlin Philharmonic Orchestra
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