Album Details
Title: Ultra Artist: Depeche Mode Release Date: 4/15/1997 Re-Released On: 1/22/2008 Label: Reprise, Mute Records Album Type(s): lyrics/libretto UPCs: 093624652229, 094638416821, 093624652243, 5016025611485 Genre: Rock Styles: Alternative Pop/Rock, Alternative Dance, Alternative/Indie Rock, College Rock, Dance-Rock Moods: Brooding, Detached, Dramatic, Austere, Cathartic, Intimate, Melancholy, Nocturnal, Ominous, Plaintive, Reflective, Somber, Sophisticated, Angst-Ridden, Bleak, Cold, Gloomy, Hypnotic, Insular, Literate, Provocative, Refined/Mannered, Stylish, Tense/Anxious, Wintry, Confrontational, Paranoid, Searching, Sensual, Sexy, Slick, Theatrical, Wistful, Yearning, Bittersweet, Cynical/Sarcastic, Sad, Sexual, Sparse, Bitter Total Copies: 34 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Barrel of a Gun
-
The Love Thieves
-
Home
-
It's No Good
-
Uselink
-
Useless
-
Sister of Night
-
Jazz Thieves
-
Freestate
-
The Bottom Line
-
Insight
-
Junior Painkiller
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Mute Records | 148 | | 1997 | CD | Reprise | 46522 | | 1997 | CD | Mute Records | 148 |
|
|
Similar CDs
Members who requested this CD also requested:
Album Review
When news surfaced in 1995 that Alan Wilder had departed Depeche Mode to concentrate on his solo project Recoil, the immediate concern among fans was whether the band would be able to hit past heights again. Though Wilder's profile was always much lesser than that of Martin Gore and David Gahan -- and almost even that of Alan Fletcher, whose nonperformance live has always been a running joke in the fan community and who freely admits to generally being around merely to maintain a vibe with his childhood friend Gore -- his capability at arranging the songs over the years gave the band its increasingly distinct, unique edge. Combined with Gahan's near suicide and lengthy recovery from drugs, things looked bleak. Happily, Ultra turned out a winner; hooking up with Tim Simenon, longtime U.K. dance maven and producer of arty fare such as Gavin Friday's Adam 'n' Eve, Depeche delivered a strong album as a rejuvenated band. The most immediate change was Gahan's singing; for the first time ever, he took singing lessons beforehand, and his new control and projection simply shines, especially on the marvelous "It's No Good," a pulsing, tense, yet beautiful song with another deeply romantic Gore lyric. Opener "Barrel of a Gun" continues in the vein of arena-level stompers like "Never Let Me Down Again" and "I Feel You," with huge drum slams and scratching to boot, but Ultra mostly covers subtler territory, such as the slightly creepy "Sister of Night" and the gentle "The Love Thieves." Gore sings two winners: the orchestral, slow dance groove "Home" and "The Bottom Line," featuring steel guitar and Can's Jaki Liebezeit on drums, distinctly different territory for Depeche. Closing with "Insight," a quite lovely, building ballad, Ultra showed Depeche wasn't ready to quit by any means. ~ Ned Raggett, All Music Guide
Credits
| Name | Credits | | Alan Fletcher | ? | | Anton Corbijn | Photography, Art Direction | | Audie Chamberlain | Assistant Engineer | | B.J. Cole | Pedal Steel | | Daniel Miller | Synthesizer | | Danny Cummings | Percussion | | David Clayton | Keyboards, Keyboard Programming | | David Gahan | ? | | Doug Wimbish | Bass | | Gary Forde | Assistant Engineer | | Gota Yashiki | Drums | | Guy Massey | Assistant Engineer | | Jaki Liebezeit | Percussion, Drums | | Jamie Campbell | Assistant Engineer | | Keith LeBlanc | Drums | | Kerry Hopwood | Programming | | Lee Phillips | Assistant Engineer | | Martin L. Gore | ? | | Mike Marsh | Mastering | | Paul Hicks | Assistant Engineer | | Q | Mixing, Engineer | | Robbie Kazandjian | Assistant Engineer | | Tim Simenon | Mixing, Producer | | Tom Rixton | Assistant Engineer | | Victor Endrizzio | Percussion |
|
|