Search - Zoey Van Goey :: Cage Was Unlocked (Dig)

Cage Was Unlocked (Dig)
Zoey Van Goey
Cage Was Unlocked (Dig)
Genres: Pop, Rock
 
  •  Track Listings (10) - Disc #1

Zoey van der Kamp was born into a strict Amish community in rural — Pennsylvania in 1969 and never saw an automobile until the age of 12. She — ran away to New York at the age of 15, changed her name to Zoey van Goey and — qu...  more »

     
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CD Details

All Artists: Zoey Van Goey
Title: Cage Was Unlocked (Dig)
Members Wishing: 1
Total Copies: 0
Label: Chemikal Underground
Original Release Date: 1/1/2010
Re-Release Date: 1/19/2010
Genres: Pop, Rock
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 020286150527

Synopsis

Product Description
Zoey van der Kamp was born into a strict Amish community in rural
Pennsylvania in 1969 and never saw an automobile until the age of 12. She
ran away to New York at the age of 15, changed her name to Zoey van Goey and
quickly became immersed in Manhattan s burgeoning street-art movement before
relocating to Berlin and finding considerable success with her street murals
and installation-based work. She became a constant, if peripheral, fixture
of Berlin s cultural elite in the late 80 s, embarking on an affair with
(and subsequently breaking the the heart of) German film director Wim
Wenders (you can spot one of her murals in Wings of Desire ). After the
Wall came down at the end of the decade, her movements become less clear,
many saying she moved into East Berlin before fading enigmatically from
public view...

Which brings us (albeit elaborately) to Zoey Van Goey the band, and, hearing
about their origins and approach to making music, their choice of name
becomes much more than an exercise in quirky wordplay.

Zoey Van Goey, like many others bands before them, were a product of
serendipity and cosmopolitan wanderlust: hailing from Canada (Matt Brennan),
Ireland (Michael John McCarthy) and England (Kim Moore), they finally
coalesced around the verdant cloisters of Glasgow University in 2006. If
this constitutes a weak parallel with their namesake s intrepid sense of
adventure, what resonates more are the intriguing contradictions, the
subject matter and the inventive musical execution of their debut album (The
Cage Was Unlocked All Along) which conjures up a wide-eyed rites of passage,
meshing the everyday with the fantastical; the optimism and adventure of
youth, with the anxieties and pressures of the modern world...

So with The Cage Was Unlocked... we find bandits and buried treasure
co-existing with tales of TEFL students teaching in Fukuyama; dark
ruminations on the coming apocalypse alongside romantic kidnap ballads; a
surreal journey that s as melodically whimsical as it is structurally
complex. With the fairytale element heightened further by Peter Diamond s
Hergé meets Henry Darger artwork, Zoey Van Goey s debut album becomes a work
of charming ambition loaded with full-blooded sing-along choruses,
understated keyboards, close harmonies and irresistible melodies - all
underpinned by various musical ephemera including vintage Super Mario sound
effects.

The album was produced by Chemikal Underground s Paul Savage (The Delgados,
The Phantom Band), and follows a brace of singles that were released in 2007
(Foxtrot Vandals) and 2008 (Sweethearts in Disguise). Following the album s
completion, the band adopted their namesake s fondness for proactive
independence and self-released The Cage Was Unlocked All Along in May of
this year, garnering excellent reviews in the process.

With Chemikal Underground now on board to give the album the international
platform it so rightfully deserves, Zoey Van Goey are now set to bring their
uniquely engaging brand of indie-pop to the masses, starting with some UK
dates in September alongside Strike The Colours.

In addition to gigging and recording, the band have also contributed to
extra-curricular projects including a musical/literary collaboration with
Falkirk art-rockers Y'all Is Fantasy Island and novelist Alan Bissett called
the Super Puny Humans , as well as composing and performing music (in
collaboration with David Paul Jones) for the National Theatre of Scotland s
stage adaptation of the Takeshi Kitano film 'Dolls.'
 

CD Reviews

Right on the edge of greatness...
D. Mower | Utah, USA | 02/10/2010
(4 out of 5 stars)

"I love indie bands that don't take themselves too seriously, but still manage to crank out a good sound. We have here three lighthearted, lyrically gifted musicians who have managed to put out a first album that fits that formula to a tee. Some of the songs are hilarious; others have more subtle humor or a more serious subject matter, but all of the lyrics are clever and show that Zoey Van Goey has a penchant for looking at the world around them with a somewhat quirky, but fun-loving perspective. Take "Two White Ghosts," for example. The song is entirely about two young people who didn't know what to do after graduating, so they teach English in Japan, where they fall in love with each other and the Asian setting and consider overstaying their visas and going into hiding in the streets. Or "We All Hid In Basements," a goofy satire describing the imagined apocalypse that keeps resurfacing in our western culture, taking form as Y2K, 2012 or the "rise of the machines". Then there's my favorite, "We Don't Have That Kind Of Bread," which gives a string of irrational and slightly paranoid reasons for the singer's significant other to stay in bed rather than leave the house.



Most of the songs fall into the category of instantly likable indie pop-rock; upbeat, interesting, textured and very singable, such as "We Don't Have That Kind Of Bread," "Foxtrot Vandals," "We All Hid In Basements," and "Cotton Covering". Some of the more subdued songs, while not as rhythm-driven, are equally likable, pulling on lovely melodies and string accompaniments. Examples of this are "City Is Exploding" and "The Best Treasure Stays Buried."



The vocals are thoroughly enjoyable, mostly focusing on Kim Moore's airy voice, but frequently playing between her and either Matt Brennan or Michael John McCarthy (not sure which, or if both sing).



This album shines not because of anything terribly original or groundbreaking about the band's sound or music, but because the band members have stamped this album all over with their personality, from the album art to the last note of the last song. Kim, Michael and Matt are clearly fun people to be around, have great senses of humor and enjoy what they do. Listening to this album leaves you with the feeling that you to go hang out with the band and have the time of your life. In short, Zoey Van Goey's "The Cage Was Unlocked All Along" is a great example why I like indie music.



Oh, and let's not leave off that this album was produced by Paul Savage, former drummer for The Delgados. As far as I'm concerned anything The Delgados have touched is gold :)."