Search - Olivier Messiaen, Claude Debussy, Osvaldo Golijov :: Voices of Light

Voices of Light
Olivier Messiaen, Claude Debussy, Osvaldo Golijov
Voices of Light
Genres: Pop, Classical, Broadway & Vocalists
 
  •  Track Listings (19) - Disc #1

Dawn Upshaw here explores outstanding examples of the past century of French song, adding a brief detour into Spanish with a haunting gem by Osvaldo Golijov. The recital's centerpiece is Fauré's La Chanson d'Eve, a cy...  more »

     
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Dawn Upshaw here explores outstanding examples of the past century of French song, adding a brief detour into Spanish with a haunting gem by Osvaldo Golijov. The recital's centerpiece is Fauré's La Chanson d'Eve, a cycle of 10 exquisitely fashioned songs whose delicate subtlety and carefully weighed balance between light and shade are beautifully realized by Upshaw and her excellent accompanist, Gilbert Kalish, whose rippling piano in "Eau vivante" captivates. The pair also excel in the spare, mysterious "Crépuscule" (Twilight). Threaded throughout the disc are five songs by Olivier Messiaen, whose blending of spiritual faith and sensuous feeling often reaches ecstatic heights, as in the wildly virtuosic coloratura singing and keyboard demands of "Prière exaucée" (A Prayer Granted). Upshaw makes much of the sensuous close of the disc's opening song, "Le Collier," and the tenderly languorous "Amour oiseau d'étoile" (Love, Star-Bird). The elusive songs of Debussy's Chansons de Bilitis are given their full due as well, nicely set among Messiaen's more unbuttoned fervor. Upshaw fans and lovers of French song won't want to miss this. --Dan Davis
 

CD Reviews

Another challenging, engaging triumph
E. C Goodstein | Northern CA United States | 08/30/2004
(5 out of 5 stars)

"I can't really speak to the technical side of this album.

But it is gorgeous. Yes, rather challenging material. But I think she really shows the 'link' between a 'conservative' composer like Faure and Debussy & Messaien. & the addition of the Golijov also shows his indebtedness to the French school (it's a beautiful piece in it's own right too IMO). Gilbert Kalish adds really inciteful accompaniment. If you

like her album of Debussy's FORGOTTEN SONGS, you'll love this I think. But even fans of any of her others will

like it too. One of the most thoughtful performers today-- she really has an interesting discography, & for me this is

a definite highlight."
Lay me etherized upon the table........
Grady Harp | Los Angeles, CA United States | 12/17/2004
(5 out of 5 stars)

"The otherworldly presentation by Dawn Upshaw and Gilbert Kalish of songs by the under appreciated spiritualist composer Olivier Messiaen in the company of other composers of luminosity songs such as Claude Debussy, Gabriel Faure and the contemporary Osvaldo Golijov is one of the most unique and successful recordings to appear in a long time. Upshaw remains a clear voiced soprano who cares deeply about exploring repertoire to challenge her large audience: her recitals are never retreads of standard warhorses.



This recording is simply from another place that seduces us into a level of transcendental meditation. Not only do Upshaw and Kalish weave their expected magic with the Debussy and Faure cycles ('Chansons de Bilitis' and 'La Chanson d'Eve'), but they also evoke all of the special mysteries for voice and piano that Messiaen wrote so well. The moments of music seem to taper off into the ether of another world. And the single Olijov 'Lua descolorida' is so stunning that it leaves us wanting more.



A beautiful collection of songs, superbly performed, and beautifully recorded. Highly Recommended. Grady Harp, December 2004



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French songs luminously performed
Jeff Abell | Chicago, IL USA | 09/13/2005
(5 out of 5 stars)

"OK, quibble all you want with Dawn Upshaw's French pronunciations...I'm told the French find American accents "sexy." Upshaw and Kalish bring remarkable interpretive skill to these performances. The Debussy "Chansons de Bilitis," set poems by one of the composer's best friends to music of exquisite, almost erotic playfulness. Similarly, Faure's "Chanson d'Eve" is a remarkably beautiful late work of serene detachment. I'm not a big fan of Messian's music, but Upshaw and Kalish certainly make the most of these difficult and "ecstatic" songs. All told, with the delicious Golijov song tossed in, a lush treat."