Marchetto Cara Francesco Spinacino Italian Anonymous - Vergine Bella Italian Renaissance Music (20 tracks) +Album Reviews

Search - Marchetto Cara, Francesco Spinacino, Italian Anonymous :: Vergine Bella: Italian Renaissance Music

Marchetto Cara, Francesco Spinacino, Italian Anonymous
Vergine Bella: Italian Renaissance Music
Genres: Special Interest, Pop, Classical

Track Listings (20) - Disc #1
1. Lute In A: S'io Sedo A L'ombra
2. Lute In G: Recercare
3. Aime, Ch'io Moro - Vocal Ensemble
4. Lute In E: Pavana
5. Lute In E: Se Non Soccorri, Amore - Julian Podger
6. Lute In E: Che Debo Far?
7. Lute In A: Fugga Pur Chi Vol Amore
8. Ave, Maria, Gratia Plena - Julian Podger
9. Ave, Victorioso E Sancto Legno - Vocal Ensemble
10. Lute In G: Recercare
11. Lute In A: Poi Che Volse La Mia Stella
12. Dolores Mortis - Vocal Ensemble
13. Lute In G: Recercare
14. Lute In A: Si Oportuerit Me Teco Mori
15. Lute In E: Si Bella E La Mia Donna - Julian Podger
16. Lute In E: O Mia Cieca E Dura Sorte
17. Virtu, Che Fai In Questo Miser Mondo? - Vocal Ensemble
18. Lute In G: Recercare
19. Salve, Victrice E Gloriosa Insegna - Vocal Ensemble
20. Lute In E: Vergine Bella - Julian Podger

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CD Details

All Artists: Marchetto Cara, Francesco Spinacino, Italian Anonymous, Bartolomeo Tromboncino, Diomedes Cato, Francesco (da Milano) Canova, Innocentius Dammonis, Marco dall'Aquila, Carolyn Sampson, Julian Podger
Title: Vergine Bella: Italian Renaissance Music
Members Wishing: 2
Total Copies: 0
Label: Chandos
Release Date: 3/26/2002
Genres: Special Interest, Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Chamber Music, Historical Periods, Early Music
Number of Discs: 1
SwapaCD Credits: 1
UPC: 095115068328

CD Reviews

Beautiful wonderful album

E. C Goodstein | Northern CA United States | 07/29/2004

(5 out of 5 stars)

"I wish I could speak learnedly about the music on this

album. I know some is fairly rarely done-- like the Trombocinos for examples. In any case, IMO wonderful

sensitive singing & playing by a group of artists who are very comfortable and knowledgeable of the period, and I'm

particularly impressed by Carolyn Sampson. Of course on

the 'sacred' side of Renaissance music, but much here

to enjoy."