Search - Various Artists :: Stormy Weather: The Music of Harold Arlen

Stormy Weather: The Music of Harold Arlen
Various Artists
Stormy Weather: The Music of Harold Arlen
Genres: Alternative Rock, Folk, Jazz, Special Interest, Pop, Rock, Classical, Broadway & Vocalists
 
  •  Track Listings (17) - Disc #1

Producer Hal Willner has had an extraordinary career matching off-the-wall contemporary performers with some enchanted by-ways of American music, creating fresh visions of Thelonious Monk, Charles Mingus, and Disney soundt...  more »

     
?

Larger Image

CD Details


Synopsis

Amazon.com
Producer Hal Willner has had an extraordinary career matching off-the-wall contemporary performers with some enchanted by-ways of American music, creating fresh visions of Thelonious Monk, Charles Mingus, and Disney soundtracks along the way. This is the soundtrack for a film of performances of Harold Arlen's music, a sequel to filmmaker Larry Weinstein's previous Willner collaboration, September Songs: The Music of Kurt Weill. Arlen was among the first of the great American songwriters to draw inspiration from jazz, a regard that's been returned in 70 years of reinterpretation. This collection has both the period novelty tunes and the great ballads. Arlen himself is heard in a 1955 recording of "Last Night When We Were Young," while "Minnie the Moocher's Wedding Day"--already too self-conscious for camp revision--is heard in its 1932 incarnation by the Boswell Sisters and the Dorsey Brothers. The character of Minnie turns up as well in "Kickin' the Gong Around," with David Johansen relishing the Cab Calloway role. Jimmy Scott wrings every ounce of bittersweet passion from both "I Had a Love Once" and a soaring, visionary "Over the Rainbow." Scott's vocal androgyny seems like a theme here, extending to Rufus Wainwright and Hawksley Workman. Debbie Harry overdubs a clever arrangement of "Stormy Weather" combined with "Ill Wind," summoning up more of Arlen's foreboding weather. Along with the stars, Willner provides opportunities for some great singers whose names might not be instantly recognizable. Ranee Lee's brilliant "Stormy Weather" touches on Lena Horne's original, while Mary Margaret O'Hara creates a quavering, swirling piece of original musical theater from "Blues in the Night." From Eric Mingus's ominous oration of "Get Happy" to Sandra Bernhard's earnest torch treatment of "Come Rain or Come Shine," Willner finds freshly entertaining ways for past and present to meet over a set of great tunes. --Stuart Broomer

Similarly Requested CDs

 

CD Reviews

APPALLING - DON'T BUY IT.
NML | Australia | 07/28/2004
(1 out of 5 stars)

"I adore the music of Harold Arlen and was very excited by my purchase BUT this CD is going back to the CD store tomorrow. It is quite possibly the worst collection of attempts at singing I have ever heard. You don't have to wait long for it to get bad either - the first song is simply dreadful. To mention just a couple - Rufus Wainwright sings like he has huge marbles in his mouth, being almost indecipherable, slurring all the singing and generally destroying the enormous talent of Mr Arlen. Deborah Harry is a cool and sexy pop artist but cannot sing jazz, misses most of her notes (I know jazz isn't about being note perfect but this is painful to listen to). To make these recordings and then sell them to the public under the guise of talent is a slap in the face to all lovers of Arlen and jazz. BUY SOMETHING DIFFERENT."
More about the performers than Harold Arlen
plb | New Jersey | 11/01/2006
(1 out of 5 stars)

"I listened to the first four tracks of this CD before I discarded it. They were self-indulgent performances much involved the performers' emotions. Turning a love song into a tortured lament may be excellent for self expression but it has very little to do with the music. I suggest the performers listen to it and leave the rest of us alone.



If you don't know Harold Arlen's music and just listened to this CD, you might conclude that he has nothing to offer. In fact, he is one of the most wonderful of songwriters. I would suggest a wonderful collection called "Harold Arlen Centenial Celebration 100"."
I don't understand why all these people hated it. I loved it
J. Starr | New York, NY United States | 05/21/2005
(5 out of 5 stars)

"Caught the show on PBS. I watched it only because Sandra Bernhard and Debbie Harry were in it. I was blown away by Rufus Wainright's "Paper Moon." It was like he was singing it to me and me personally and he meant every word. Very sexy, very hot. And I had never heard Wainright before, so I'm not just a fan. Then Marc Anthony Thomas sang "I've Gotta Right To Sing The Blues". Threw his head back, closed his eyes, and belted it out like he was the only person in the world and he just loved the song and wanted to sing it for himself and himself alone. Beautiful. Nothing in the rest of the show stood out as bad. Yes, some performances were worse than others. But these two astounding performances have haunted me for months. Now I've decided I just have to have the CD. I really want this on DVD, so I can watch those two again."