Subject: I have found a CD that I think you would enjoy
Memphis: A New Musical (Orginal Cast Recording)
Genres: Pop, Broadway & Vocalists
TURN UP THAT DIAL! From the underground dance clubs of 1950's Memphis, TN, by way of hit runs at the La Jolla Playhouse and Seattle's 5th Avenue Theatre, comes a hot new Broadway musical - inspired by actual events - with ... more »
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TURN UP THAT DIAL! From the underground dance clubs of 1950's Memphis, TN, by way of hit runs at the La Jolla Playhouse and Seattle's 5th Avenue Theatre, comes a hot new Broadway musical - inspired by actual events - with heart, soul and energy to burn.
MEMPHIS features a brand new score with music by David Bryan (Bon Jovi's founding member/keyboardist)and lyrics by David Bryan and Joe DiPietro (I Love You, You're Perfect, Now Change), who also pens the musical's book. MEMPHIS is based on a concept by the late George W. George (producer of the Tony®-nominated Bedroom Farce and the film My Dinner With Andre), with direction by Tony nominee Christopher Ashley (Xanadu), and choreography by Sergio Trujillo (Jersey Boys).
MEMPHIS takes place in the smoky halls and underground clubs of the segregated 50s, a young white DJ named Huey Calhoun (Chad Kimball) falls in love with everything he shouldn't: rock 'n' roll and an electrifying black singer named Felicia (Montego Glover). MEMPHIS is an original story about the cultural revolution that erupted when his vision met her voice, and the music changed forever.
MEMPHIS stars Chad Kimball (Huey) and Montego Glover (Felicia), with Derrick Baskin (Gator), J. Bernard Calloway (Delray), James Monroe Iglehart (Bobby), Tony nominee Michael McGrath (Mr. Simmons), and Cass Morgan (Mama).
The collection contains 19 songs and a bonus track/acoustic version of 'The Music of My Soul' with piano and vocals by David Bryan.
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Member CD Reviews
Jan B. from STATEN ISLAND, NY
Reviewed on 7/10/2011...
We saw this show on Broadway a few months ago and loved it. I was so happy to see the cast album listed here. I have listened to it a few times and love the music. Even if you were unable to see the show, you should still enjoy the music!!
Memphis lives in ME!
C. Miller | Yonkers, NY | 03/30/2010
(5 out of 5 stars)
"I have been working on this show for three years and still LOVE listening to the music. Even my boyfriend, who does not like musicals, listens to this album in the car, and especially likes the David Bryan track and Chad Kimball's high note in "Memphis Lives in Me." In fact, one of the best days of my life was driving in the car over Christmas and singing "Someday" with my non-musical loving boyfriend. "Someday" was the first song I fell in love with and now the whole thing is a favorite."
Lively, fun, and sometimes more...
Steven Valenti | Cleveland, OH | 05/06/2010
(4 out of 5 stars)
"With "American Idiot" deemed ineligible, this year's most likely Best Score Tony Winner appears to be "Memphis," by David Bryan and Joe DiPietro, represented on this tuneful cast recording, which recalls the early days of rock n roll. Chad Kimball (excellent) stars as Huey, a white, wannabe disc jockey who falls in love with an African-American singer, Felicia (Montego Glover), and attempts to make her a star in the days of rampant racism.
If that plot sounds potentially heavy, rest assured that for the most part, things are kept light on this disc. In fact, when I first heard this recording, it struck me as a sort of cross between "Dreamgirls" and "Hairspray," without the impact of either. That is, until I got to the bluesy "Colored Woman," in which Felicia rails against the limitations of her race and decides to accept Huey's help. It's sung with such urgent vibrancy by the fantastic Glover that it's become my most-played show tune of 2010 (I bought this cd from the show's web site last December, before it was commercially available, so that's a lot of months of listening to it--and I'm not sick of it yet.).
And the rest of the score has grown on me, too, with "The Music of My Soul," "Memphis Lives in Me," and "Love Will Stand When All Else Falls," among the standouts. My major complaint with "Memphis" is that, given the subject, there really should be some more emotionally-charged, character driven songs along the lines of "Colored Woman." As it is, it comes across as just a bit too watered down, with a few too many songs, catchy as they are, not doing a lot to reveal character. On the other hand, this is a recording I keep coming back to, and I would be perfectly content if "Memphis" wins the Best Score Tony."