Track Listings (10) - Disc #1| All Artists: The Bob Szajner Triad II Title: center\\\cuts Members Wishing: 0 Total Copies: 0 Label: RMS007 Records Release Date: 1/1/2008 Genre: Jazz Style: Bebop Number of Discs: 1 SwapaCD Credits: 1 UPC: 788614700546 |
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Search - The Bob Szajner Triad II :: center\\\cuts
 | The Bob Szajner Triad II center\\\cuts Genre: Jazz
Performed by: — Bob Szajner - piano — Ed Pickens - bass — Frank Isola - drums (tracks 1-5) — Mike Gutierrez - drums (tracks 6-10) — Recorded: — April 1981 at the Detroit Jazz Center, Detroit, MI — About: — TAKE a group of original... more » |
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Performed by:
Bob Szajner - piano
Ed Pickens - bass
Frank Isola - drums (tracks 1-5)
Mike Gutierrez - drums (tracks 6-10)
Recorded:
April 1981 at the Detroit Jazz Center, Detroit, MI
About:
TAKE a group of original compositions written by an unknown jazz piano player (Bob Szajner), add the fact that none of the musicians performed the material before, add a peculiar "hardened hammer" piano, a bassman with creative vengeance (Ed Pickens), drummers unfamiliar with the original material but both brave and extremely accomplished jazz artists (Frank Isola on cuts #1 through #5 and Mike Gutierrez on cuts #6 through 10), and then mix with a mature hard bop composer/pianist (Szajner again) with at least 10 to 12 people in the audience that seems too reserved for their own good AND you have the performances on the cutting edge of improvisation tailored for the discriminating enthusiast of the '50s-'60s "classic" genre of modern jazz!!!
Performed by:
Bob Szajner - piano
Ed Pickens - bass
Frank Isola - drums (tracks 1-5)
Mike Gutierrez - drums (tracks 6-10)
Recorded:
April 1981 at the Detroit Jazz Center, Detroit, MI
About:
TAKE a group of original compositions written by an unknown jazz piano player (Bob Szajner), add the fact that none of the musicians performed the material before, add a peculiar "hardened hammer" piano, a bassman with creative vengeance (Ed Pickens), drummers unfamiliar with the original material but both brave and extremely accomplished jazz artists (Frank Isola on cuts #1 through #5 and Mike Gutierrez on cuts #6 through 10), and then mix with a mature hard bop composer/pianist (Szajner again) with at least 10 to 12 people in the audience that seems too reserved for their own good AND you have the performances on the cutting edge of improvisation tailored for the discriminating enthusiast of the '50s-'60s "classic" genre of modern jazz!!!