Track Listings (26) - Disc #1| All Artists: Will Marion Cook, William Brown (tenor); Ann Sears (piano) Title: Swing Along: The Songs of Will Marion Cook Members Wishing: 0 Total Copies: 0 Label: Albany Records Original Release Date: 4/1/2006 Release Date: 4/1/2006 Genres: Jazz, Pop, Classical Styles: Vocal Pop, Opera & Classical Vocal, Historical Periods, Modern, 20th, & 21st Century Number of Discs: 2 SwapaCD Credits: 2 UPC: 034061083924 |
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Search - Will Marion Cook, William Brown (tenor); Ann Sears (piano) :: Swing Along: The Songs of Will Marion Cook
 | Will Marion Cook, William Brown (tenor); Ann Sears (piano) Swing Along: The Songs of Will Marion Cook Genres: Jazz, Pop, Classical
Will Marion Cook was one of the earliest African-American composers to achieve significant commercial success in musical theater. However, even though his talents were admired at the turn of the twentieth century, he and h... more » |
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Product Description Will Marion Cook was one of the earliest African-American composers to achieve significant commercial success in musical theater. However, even though his talents were admired at the turn of the twentieth century, he and his work have since been largely forgotten. With the interest in African-American culture sparked by the Civil Rights Movement of the 1960s, and revived interest in all American music during the Bicentennial celebrations of the 1970s, Cook has been rediscovered by such music historians as Thomas L. Riis and Marva Griffin Carter, as well as by such performers as the Black Music Repertory Ensemble of the Center for Black Music Research and, of course, tenor William Brown, who had previously recorded some of Cook?s songs on the album Fi-yer! (TROY329). Having studied with Joseph Joachim in Berlin and Antonin Dvorak in New York City, Cook was respected for his pioneering achievements in popular songwriting, Black musical comedies and syncopated orchestral music. His career as a songwriter spanned some forty years from 1893 to 1934. Cook?s memoirs reveal that he believed his ultimate challenge was to right social injustice while at the same time creating beautiful music. Renowned tenor William Brown?s repertoire encompassed practically all musical genres. He was a particularly avid performer of American music from all ages and had appeared with major orchestras and ensembles all over the world. Sadly, Mr. Brown died shortly after this recording was made, so we feel that this CD is a tribute to the memories of both Cook and Brown. Similar CDs
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CD ReviewsSad to say -- but buyers beware John McWhorter | New York, New York United States | 02/08/2008 (2 out of 5 stars) "In the wake of a full-length biography of Will Marion Cook that will be appearing in May 2008, there is likely to be a wave of interest in this set. However, potential buyers should know that it is a recording largely of encyclopedic interest. One hates to mention this, because late tenor William Brown was a beloved figure in the musical community, and he performed the songs with endless passion, including going into alternate voices. He manages the delicate task, also, of singing in the minstrel dialect that many of the songs were cast in while retaining the humanity of character he was portraying. Brown also did us a service by even getting these songs on record at all, many of them for the first time, and for most, the first time in modern sound. However, Brown was over 60 when he made this recording. Voices change as people get older, and this matters especially when negotiating pieces like Cook's, which were mostly written in a light classical-style idiom that requires holding notes long and steady and negotiating quick passages. In this case, Brown's performances are well-intentioned but very rough, to a point that will put off many listeners (I notice that the first reviewer was not one of them, but I highly suspect that many other listeners would feel otherwise). To put it in technical terms, at this stage of his life, Brown could only support his tone when singing fortissimo, which is necessary only occasionally in these songs. Otherwise, there was shaky pitch, little vibrato, and so on. I am not, I should note, being critical in a picky, audiophile vein. I am warning buyers in this case specifically because the problem -- as much as one doesn't want it to be -- is extreme. Another problem is that comedy songs intended to go by at a trot are rendered at the deliberate tempo of a ballad, which takes away their comedic power (e.g. "Bon Bon Buddy," "Who Dat Say Chicken in Dis Crowd?"). So -- some listeners, if the first review is any indication, may not mind any of this. Others will want to hear these obscure songs in some form regardless of performance quality. Others, however, will likely feel that the quality of the performance was not worth nearly forty dollars. I highly suggest downloading one of the MP3 samples before deciding which category you fall into." Shear pleasure from beginning to end AfroAmericanHeritage | Wisconsin | 01/29/2007 (5 out of 5 stars) "Will Marion Cook (1869-1944) was one of the first African American composers to achieve significant commercial success in musical theater. To borrow a term from the visual arts, this collection provides a long-awaited major retrospective of his work, presenting many songs recorded for the first time.
With twenty-six tracks on two CDs, SWING ALONG presents a range of genres, including lullabies, parlor songs, ethnic "coon" songs and exquisite art songs. There are two songs from "In Dahomey," the first full-length musical written and performed by blacks to be presented at a major Broadway venue (1903.) Cook's collaborators include icons of African American letters such as Paul Laurence Dunbar and James Weldon Johnson, but the lyrics sometimes caught me by surprise, such as the lovely parlor song "Returned" with its plantation nostalgia. It reminded me that even icons have to make a living, which was no easy feat for a black artist at the turn of the century. Melodically and stylistically, the music reflects the time (one hears influences of jazz, ragtime and the blues) while simultaneously looking ahead, employing striking harmonies later explored by George Gershwin, Duke Ellington and others. Tenor William Brown magically alters his voice and intonation to suit each genre....you won't get much closer to time travel than this! The excellent liner notes are written in a narrative style, with songs grouped and discussed in context rather than in the order of appearance on the CD. I found it helpful to program my CD player so I could listen while reading along the first time. But for sheer enjoyment, just let the songs flow. There's a reason this music was so popular in its day, and the CD is a pleasure from beginning to end." |
