Search - Sweet :: First Recordings 1968-1971

First Recordings 1968-1971
Sweet
First Recordings 1968-1971
Genres: Pop, Rock, Classic Rock, Metal
 
  •  Track Listings (12) - Disc #1

Reissued 1968-69 albums. 12 cuts dating from the late 60's and including all of the band's A and B sides for both Fontana and Parlophone. All of the tracks are ultra rare and highly valuable collectors items and this is...  more »

      
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CD Details

All Artists: Sweet
Title: First Recordings 1968-1971
Members Wishing: 2
Total Copies: 0
Label: Repertoire
Original Release Date: 1/1/2006
Re-Release Date: 2/25/1991
Album Type: Import
Genres: Pop, Rock, Classic Rock, Metal
Styles: Oldies, Glam
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 4009910414026, 766486412620

Synopsis

Album Description
Reissued 1968-69 albums. 12 cuts dating from the late 60's and including all of the band's A and B sides for both Fontana and Parlophone. All of the tracks are ultra rare and highly valuable collectors items and this is the first time they've been rounded up on CD.
 

CD Reviews

Corny but likible!
L Salisbury | Maryland United States | 01/07/2002
(4 out of 5 stars)

"Hard to believe that the same people who gave us "Little Willy", "ballroom blitz" and "fox on the run" started out with 45s that are (unintentionally) more "funny funny" than Spinal Tap's "gimmie some money"! But it's hard not to smile at the safe-as-milk teenage love of "lollypop man" or the neo 20s ragtime of "slow motion". Too bad these singles were unsuccessful at the time of their release. Even today they're still ignored. None of the countless Sweet best-ofs include any of their 68-70 singles (although the B side "lonely out there" did appear on a 1973 K-Tel comp!). Sweet fans should buy this since the corn ball A sides do set the stage for "funny funny", "Papa Joe", "co-co" and their tribute to "Alexander Grham Bell". The heavier metal B sides ("time", "jucier") also predict ""Willy", "blitz" & "fox". BUYER WARNING: the last four songs included, while pretty good, are NOT Sweet. They're from an unnamed studio band that Connely sang for during those sessions (c.1968)."