Search - Liu Fang, Ballake Sissoko, Henri Tournier :: Silk Sound

Silk Sound
Liu Fang, Ballake Sissoko, Henri Tournier
Silk Sound
Genres: International Music, Pop
 
  •  Track Listings (11) - Disc #1


     
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CD Details

All Artists: Liu Fang, Ballake Sissoko, Henri Tournier
Title: Silk Sound
Members Wishing: 2
Total Copies: 0
Label: Accords-Croises Fr.
Original Release Date: 1/1/2006
Re-Release Date: 8/8/2006
Album Type: Import
Genres: International Music, Pop
Style: Far East & Asia
Number of Discs: 1
SwapaCD Credits: 1
UPC: 794881814824
 

CD Reviews

Enchantingly Beautiful
Kyle Y | Toronto, ON CAN | 11/04/2007
(5 out of 5 stars)

""Silk Sound" is a collaboration between master pipa artist, Liu Fang, and three other cultural artists, who are first class musicians of their own traditional instruments. There's Alla from Algeria, Henri Tournier from the west, and Ballake Sissoko from Africa. The oud and kora, like the pipa, are stringed instruments, and are played by Alla and Sissoko respectively; while the unique bansuri flute is played by Tournier. The fifth instrument in this set is the guzheng, played wonderfully by Liu Fang (yes, she is also highly gifted with the guzheng, although her darling is definitely the pipa).



The tone set by this collaboration reminds me of what Yo-Yo Ma does with The Silk Road Ensemble, but I truly do appreciate the music of this album more, it is definitely to my liking, less congested, more focused and intimate. This is without a doubt due to the simple arrangements -- by simple, I don't mean rudimentary, but that the performances are either solos (with Liu Fang on the pipa or guzheng) or duets. The playing is impeccable! The solo performances are of reference quality; and there is great chemistry in the duets, as the artists really do respect each other -- you could really hear it in the playing, as no single individual shouts out, and the harmonies blend like sunlight on water ripples.



I have one big curiosity that puzzles me: track 7 is listed as the "Kanding love-song", but it is track 4 "Primary meeting", which carries this love-song's exquisite melody. The CD literature mentions that track 7 is an improvisation of the love-song. I know that improvisations are supposed to be spontaneous and natural, but there is very little resemblance to the love-song. Especially when in fact, track 4 is the "Kanding love-song", not "Primary meeting". There is enough additional playing in track 4 to also pass for an improvisation. Plus, the track 2 duet "Jasmine flower", is written as pipa with bansuri flute -- unless my ears have failed me, it sounds like guzheng and bansuri flute. I couldn't help but think that someone may have botched up the track listings and descriptions.



The "Kanding love-song" is one of my favourite Chinese traditional melodies, and also happens to be a song that I learned how to sing in heritage class when I was 10. This piece is one of the reasons I bought this CD.



Well, my gripe is over.



The recording is first rate: crystal clear and detailed, with fine separation between instruments. However, it is the cohesiveness of the song selections and arrangements, in addition to the top-notch performances, that really makes this album so delightful. If you want to create a mood and atmosphere that takes you to a place, even for a moment in time, away from life's daily routines, then this music will transcend you to such a place."