Search - Robbie Basho :: Bonn 1st Supreme

Bonn 1st Supreme
Robbie Basho
Bonn 1st Supreme
Genres: Folk, Pop
 
  •  Track Listings (11) - Disc #1

Subtitled: Live at the Kulturforum, Bonn, Germany, November 24, 1980. Another in the Wooden Weavil series, this time an unreleased live Robbie Basho recording from Germany in 1980. Robbie Basho was one of the great pioneer...  more »

     
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CD Details

All Artists: Robbie Basho
Title: Bonn 1st Supreme
Members Wishing: 1
Total Copies: 0
Label: Bo Weavil Recordings
Original Release Date: 1/1/2008
Re-Release Date: 7/8/2008
Genres: Folk, Pop
Style: Traditional Folk
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 5051078909820, 2602000021245

Synopsis

Album Description
Subtitled: Live at the Kulturforum, Bonn, Germany, November 24, 1980. Another in the Wooden Weavil series, this time an unreleased live Robbie Basho recording from Germany in 1980. Robbie Basho was one of the great pioneers of the acoustic steel string guitar in the U.S., along with Leo Kottke and John Fahey in the 1960s. This program appears to have been recorded in one go. Robbie scatters his Americana numbers throughout, beginning with "Redwood Ramble," and ending with "California Raga." This date finds Robbie in fine fettle, his playing sharpened by the intensity of touring, his mood seems ebullient, at times (as on "Fandango") he comes off like John Lee Hooker's sun-kissed cousin, stomping furiously along to his playing. There is sweetness to his material, yes, but this is not, as Jack Rose put it, "music for wineries." There is the galloping muscularity of Basho's playing, coupled with the sheer hugeness of his sound; the fearless employment of dissonance as part of his musical make-up; a love for the unexpected chord change. Robbie was a voracious and uncompromising player. Basho's singing was as integral to who he was as his guitar playing, and when he opened his mouth, he filled the room with sound. Say what you like about his lyrics, no one can accuse Basho of dilettantism, of dabbling, or of trying something on merely for effect. Whatever bag he was in, he was in all the way. Liner notes from Glenn Jones and Stephen Basho-Junghans, and beautifully remastered by Glenn Jones.

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