Search - Plastikman :: Consumed

Genres: Dance & Electronic, Special Interest, Pop
  •  Track Listings (11) - Disc #1

An Album Both for the Head and for the Dancefloor. CD Includes Three Tracks Unavailable Elsewhere.


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CD Details

All Artists: Plastikman
Title: Consumed
Members Wishing: 2
Total Copies: 0
Label: Mute U.S.
Original Release Date: 5/19/1998
Release Date: 5/19/1998
Genres: Dance & Electronic, Special Interest, Pop
Styles: Ambient, Electronica, IDM, Techno, Experimental Music, Dance Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 724596304822


Album Details
An Album Both for the Head and for the Dancefloor. CD Includes Three Tracks Unavailable Elsewhere.

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CD Reviews

Even better than Closer
Bobby Joe | Puyallup, WA USA | 11/01/2006
(5 out of 5 stars)

"this is easily the best Plastikman CD. Contain is an absolute masterpiece. The deep, deep bass will make your heart palpitate. Funny how themain amazon reviewer says this "Foregoes rattling buzz bass." Doesn't seem to to me, if anything this is Hawtin's bassiest CD ever. Just listen to that throb on "Locomotive," or "In Side."

Music seems like it would go well with 2001: A Space Oddyssey, and that's not just because of the packaging."
A dark turn for the king of acid
Adam Scaduto | South Plainfield, NJ USA | 04/25/2007
(5 out of 5 stars)

"Get consumed.

And I don't just mean get the cd. This is a dark, atmospheric album; gone are the 303's of plastikman past. The basis for many of these tracks is bass bass and more bass; synths float over the darkness like will'o'wisps(for a surreal otherworldly experience, listen to this album through a good pair of sealed full-size headphones).

I don't recommend this album for someone who's just starting off with their plastikman experience (it may turn them off; it's very very dark). It is an amazing album, and an incredible addition to the fantastic catalog of the master that is Richie Hawtin."
Soundtrack to overcast innerscapes
John O. Brickley | Anchorage, AK | 09/06/2007
(4 out of 5 stars)

"This CD needs to be listened to on a high quality system to be enjoyed. Lingering in the immediately apparent aural landscape is not enjoyable: the surface is repetitive and, being mostly devoid of progression, boring. One must isolate sounds and then listen beneath them. Listening to this, really listening, is a bit like going on a guided tour of a complex landscape. Meditative music in the sense that it must be meditated upon to be appreciated."