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Peter Zummo: Zummo with an X
Peter Zummo
Peter Zummo: Zummo with an X
Genres: Jazz, Classical
 
  •  Track Listings (12) - Disc #1

With accuracy and humor, Peter Zummo often describes his unique music as "minimalism plus a whole lot more." He is an important exponent of the American contemporary classical traditiion, whose compositions explore the met...  more »

     
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CD Details

All Artists: Peter Zummo
Title: Peter Zummo: Zummo with an X
Members Wishing: 0
Total Copies: 0
Label: New World Records
Original Release Date: 1/1/2006
Re-Release Date: 11/1/2006
Genres: Jazz, Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 093228065623, 0093228065623, 009322806562

Synopsis

Product Description
With accuracy and humor, Peter Zummo often describes his unique music as "minimalism plus a whole lot more." He is an important exponent of the American contemporary classical traditiion, whose compositions explore the methodologies of not just minimalism, but also jazz, world music, and rock, while seeking to create freedom in ensemble situations. Zummo's realization of the contemporary urge to make music that behaves like "Nature in its manner of operation" (John Cage) is to encourage spontaneous, individual decisions within a self-structuring, self-negotiating group of performers. His scores provide unique strategies (such as the "matrix of overlapping systems," freely modulating repetition rates, etc.) and materials for achieving that aim. Zummo has always felt impelled to make music that engenders a social situation reflecting modern society and not nineteenth-century German society. He feels that his job as composer is to provide material for the musicians and sufficient instructions, so thay don't feel they have to make arbitrary but rather logical or heartfelt decisions. "I'm looking for something more elegant: the idea of composer as band leader, and band leader as the unsung hero. I used the phrase 'composition of ensemble' rather than 'composition for ensemble'. It wasn't that I heard music for specific instruments, but instead I looked at personalities, people I knew well and could work with. And that's always been overriding, the persons rather than the instruments. I guess I am unwilling to compose in any conventional sense, you know, to spell it out." This CD release of the much-sought-after LP Zummo With an X contains a previously unreleased quintet version of Song IV.
 

CD Reviews

I go back and forth
jive rhapsodist | NYC, NY United States | 05/31/2008
(4 out of 5 stars)

"What is amazing here is amazing. But what is not...is not. Some of the sections of Lateral Pass present a music which simply NEEDED to exist: sonically, there are moments reminiscent of early Feldman (the period of Structures for String Quartet) while, at the same time, the whole thing is framed within the ascetic sound of Early Minimalism. The use of plunger on the trombone evokes Zummo's studies with Roswell Rudd and his interest in improvisation and Jazz. And Arthur Russell adds his unique fragility to the whole, performing music which is somewhat less sentimental than his own work. All of this is wonderful. But sometimes the use of percussionist Mustafa Ahmed is lazy - there, I've said it! The Chamber Music - like transparency and exchange of the whole turns into something which sounds more like minimal loops on top of a hippie jam. Ahmed does not engage in the tossing back and forth of motifs but just lays it down. Not a good choice, IMHO. And most not good in the opening track, a 20 minute (!) version of Song IV (where Bill Ruyle is the percussionist). Very not good programming. New World, sometimes you need to think more like a pop label. This track should've at least been buried at the end...But anyone interested in getting a clearer picture of the multiplicity of strains that formed the fractious fecundity of NY '80's Downtown Music should own this disc. And speaking of which, kudos to Guy Klucevsek's unique and sensitive accordion playing. Klucevsek was one of the most important figures of that time, a musician who did so much to tie some of those strains together."