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Peter Ilyich Tchaikovsky: Symphony No.2 "Little Russian"/Capriccio Italien

Pyotr Il'yich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra
Peter Ilyich Tchaikovsky: Symphony No.2 "Little Russian"/Capriccio Italien
Genre: Classical

Track Listings (5) - Disc #1
1. Symphony No. 2 in C minor ('Little Russian'), Op. 17: Andante sostenuto - Allegro vivo
2. Symphony No. 2 in C minor ('Little Russian'), Op. 17: Andantino marziale, quasi moderato
3. Symphony No. 2 in C minor ('Little Russian'), Op. 17: Scherzo, Allegro molto vivace
4. Symphony No. 2 in C minor ('Little Russian'), Op. 17: Finale, Moderato Assai - Allegro vivo
5. Capriccio Italien, for orchestra (or piano, 4 hands), Op. 45

CD Details

All Artists: Pyotr Il'yich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra
Title: Peter Ilyich Tchaikovsky: Symphony No.2 "Little Russian"/Capriccio Italien
Members Wishing: 0
Total Copies: 0
Label: Chandos
Release Date: 10/28/1992
Genre: Classical
Style: Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 095115846025

Synopsis

Amazon.com

The Second Symphony, subtitled Little Russian, gets the nickname from the Ukrainian folk tunes used at various points, particularly in the finale. The Ukraine used to be called "Little Russia," though it's politically incorrect to say so now. But there's no denying that "Little Russian" sounds cuter than "Ukrainian," at least as a name for a symphony, and this amiable performance lives up to the title. --David Hurwitz

CD Reviews

Little Russian.....Big Impression!

03/31/2000

(5 out of 5 stars)

"Recorded in September 1985 at the Oslo Konserthus, this recording of the "Little Russian" Symphony rates five stars easily! It scores extremely well in terms of sound, performance, interpretation and committment. The Oslo Philharmonic was in the proces of developing into a world-class band at the time and they were extremely committed to making good music as this performance shows. Mariss Jansons shows a commendable sense of controlled excitement in this performance. He never allows the music to get out of hand, yet he keeps it moving at the same time, not too easy to bring off. The first movement has a sense of motion and controlled excitement. Tempos are well judged and the performance is very satisfying. The contribution of solo hornist Odd Ulleberg at the beginning of the movement is particularly praiseworthy. The second movement has the right "lilt' to it (thanks to excellent wind playing), with very well judged tempos throughout the whole. The scherzo is well paced, and the finale has the proper amount of excitement without sounding hysterical. The Capriccio Italien, recorded in June 1987, is also well played. All in all, a recording to enjoy!"