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Greatest Hits
Percy Faith & His Orchestra
Greatest Hits
Genres: Pop, Broadway & Vocalists
 
  •  Track Listings (12) - Disc #1


      
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CD Details

All Artists: Percy Faith & His Orchestra
Title: Greatest Hits
Members Wishing: 0
Total Copies: 0
Label: Sbme Special Mkts.
Release Date: 2/1/2008
Genres: Pop, Broadway & Vocalists
Styles: Easy Listening, Oldies, Vocal Pop, Traditional Vocal Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 886972379524

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CD Reviews

A Dinosaur As CDs Go
Andrew D. Perrine | 10/06/2008
(2 out of 5 stars)

"This is one of those early CDs that flooded the market at the dawn of the digital age which simply converted a long-standing vinyl LP to the new format to take advantage of the novelty. Minimal tracks (usually 10 to 12 but some with as few as 8) and a complete lack of liner notes and contents discography were the norm. And this one is no exception. And even as a vinyl LP in the early 1960s the title was totally incorrect because half of the cuts were not among his "greatest hits" - certainly not if you consider a "hit" something that made the national Billboard charts.

Of the six hits that are here, some are among the best of their day, beginning with the opening track. The Theme From "A Summer Place" from the film starring Troy Donahue and Sandra Dee shot to # 1 on the Billboard Pop Hot 100 early in 1960 and spent NINE weeks at that position b/w Go-Go-Po-Go on Columbia 41490. It even made a significant impact on the R&B charts, reaching # 2.

Track 3, Till, was among his lesser hits, only managing a # 63 in the spring of 1957 on Columbia 40826 b/w The Last Dance, while Delicado was his initial # 1, hitting that top spot in the spring of 1952 featuring Stan Freeman on the harpsichord on Columbia 39708 b/w Festival. And the very next track, The Song From Moulin Rouge (Where Is Your Heart?), even outdid A Summer Place, spending TEN weeks at # 1 in May/June 1953. featuring the lovely voice of Felicia Sanders on Columbia 39944 b/w Swedish Rhapsody (Midsummer Vigil), which also charted at # 21 (track 12).

All My Love, adapted from the French song Bolero, became the second hit single for the Canadian-born orchestra leader when it reached # 7 in the fall of 1950 on Columbia 38918 b/w This IS The Time. But that's it insofar as his "greatest hits" are concerned when it comes to this release. They Can't Take That Away From Me was released twice without becoming a hit, the first time in 1950 b/w If I Had A Magic Carpet on Columbia 38862, and again in late 1953 as the flip of Non Dimenticar (which also failed to chart by the way) on Columbia 40155.

Other failed singles include Jamaican Rhumba, which also was issued twice in 1952, first on Columbia 39784 b/w Oye Negra, and then on Columbia 39790 b/w Da Du, and Tropical Merengue which was a 1955 release b/w We Won't Say Goodbye on Columbia 40543. The Syncopated Clock WAS a 1951 hit, but for Leroy Anderson as well as The Boston Pops Orchestra. Percy's rendition was the uncharted flip of the # 10 hit On Top Of Old Smoky, with vocal by Burl Ives on Columbia 39328. Similarly, The Rain In Spain, from My Fair Lady, was the uncharted B-side to the # 82 minor hit, With A Little Bit Of Luck (also from My Fair Lady) in summer 1956 on Columbia 40696. Neither of those hits is included.

Other legitimate hits overlooked when the album first came out were: his first, I Cross My Fingers, with vocal by Russ Emery which reached # 20 in July 1950 b/w Valencia on Columbia 38786; Christmas In Killarney with The Shillelagh Singers, a # 28 in December 1950 b/w Norah on Columbia 39048; the double-sided hit When The Saints Go Marching In (# 29) b/w I Want To Be Near You (# 30) on Columbia 39528 in September 1951; Return To Paradise - Parts 1 & 11, a # 19 in June 1953 on Columbia 39998; Many Times, a # 30 in December 1953 b/w In Love on Columbia 40076; Drea, Dream. Dream - a # 25 in May 1954 b/w Eleanora on Columbia 40185; The Bandit, from the Mexican film O Cangaceiro, a # 25 in October 1954 b/w Rainfall on Columbia 40323; Valley Valparaiso, a # 53 in February 1956 b/w Bluebell on Columbia 40633; We All Need Love, a # 67 in April 1956 b/w Carmellita on Columbia 40644; and Theme For Young Lovers, a # 35 in June 1960 b/w Bimini Goombay on Columbia 41655.

With the advent of the Adult Contemporary charts in late 1961, Percy would go on to add another nine to those charts from 1967 to 1975. He passed away the following year at age 67.

My suggestion would be to look around for more recent compilations which contain most, if not all, his early hits shown above. And if you're interested in knowing what those Adult Contemporary hits were, I have provided a list in the comments section.


"
Superb Music
Denise | Salt Lake City Best Snow on Earth | 12/21/2008
(5 out of 5 stars)

"When I was around 13-14 I babysat for a couple who embodied glamor and charm. They had a stack of 'easy listening' records--Herb Alpert, Montovani, Bert Kaemphert, and Percy Faith. These records were a distinct counterpoint to the gritty blues and edgier rock of the mid 60's, which reflected the turbulent social shift of the era. This orchestral music was a reflection on what we wanted the world to be--beautiful, ordered, no notes out of place. Alas, it was not meant to be and romance was thrown out with other outmoded ideas like respect, civility, and action rather than protest. I discovered this cd on amazon.com and bought it on a whim---more to see if it really was as beautiful and romantic as I remembered. Sometimes, my memories embellish the memory far more than it originally was! This recording has been on my stereo (oops! computer cd player) for the last 4 hours and it is as lush and perfect as I remembered. This is music for the background of a dinner party, true. But even more, on closer, adult-ears listening, it is music for a grand, sweeping romance. It reminds me that a woman looks ever so much more seductive in a form-fitting black dress and elbow-length white gloves than she does in a midriff shirt, jeans with a 3" rise, and be-jewelled flipflops. It is music that never scored a divorce, break-up of family, hate or dissent. It scored looking into someone's eyes and feeling that spark of chemistry, that jolt of sexual energy, all while having the grace and style to wait until the time and mood was just right. This music might move you to tears if you're of a certain age (Ebb Tide) or it might move you to dance with your darling. It will move you nonetheless, with its deceptively lush strings and horns that belie musicianship far deeper than cotillion dresses and white dinner jackets. If you love romantic and elegant, superbly crafted orchestral music, you will love this Percy Faith cd."
I hated this when I was a teenager
Andrew D. Perrine | Harrisonburg, VA | 04/24/2009
(5 out of 5 stars)

"But now I love it. My dad liked Percy Faith and played this a lot in our house when it came out. My brother and I believed that nothing mattered but rock n roll then.

Now that my tastes have expanded, I just can't get over how finely crafted these arrangements really are. To be truthful, I suppose my favorable feelings for this recording are somewhat sentimental since it reminds me of my dad. But Faith's work does stand on its own well."