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Partita / Continuo / Visions
Carter, Berio, Takemitsu
Partita / Continuo / Visions
Genre: Classical
 
  •  Track Listings (4) - Disc #1

Carter's Partita--a 1993 commission from Daniel Barenboim and the Chicago Symphony--is a complex, disjointed work that defies categorization. Its ideas are expressed in tight concussions (or explosions) of sound, but Car...  more »

     
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CD Details

All Artists: Carter, Berio, Takemitsu, Barenboim
Title: Partita / Continuo / Visions
Members Wishing: 0
Total Copies: 0
Label: Elektra / Wea
Release Date: 6/6/1995
Genre: Classical
Styles: Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 1
SwapaCD Credits: 1
UPC: 745099959623

Synopsis

Amazon.com
Carter's Partita--a 1993 commission from Daniel Barenboim and the Chicago Symphony--is a complex, disjointed work that defies categorization. Its ideas are expressed in tight concussions (or explosions) of sound, but Carter is savvy enough to let his statements sink in before moving on to the next cluster. Berio's Continuo (of 1990) is a more fluid composition, if disjointed in its own manner. And Takemitsu's Visions, composed in 1989, is the most colorful and resonant of the works on this disc, with a stronger emotional core than the others. All in all, this is some of the best postmodern music available. -- Paul Cook
 

CD Reviews

Partita is only the beginning.
Karl Henzy | 11/02/1999
(5 out of 5 stars)

"Well the big news is that Deutsche Grammaphone has finally released Carter's Symphonia (available in Britain, not in the U.S. as yet), of which Partita, recorded earlier and separately on this disc, is only the first movement. What the rest of Symphonia makes clear is that the sometimes playful, sometimes explosive Partita is only the youthful prelude to what is ultimately a much more sober, more meditative work--the reflections of a great composer who has witnessed the nearly the entire century (1908-present). Adagio Tenebroso, the movement that follows Partita in Symphonia, is Carter's "Unanswered Question," his meditation on pain and loss (with broken quotations, it appears, from Ives' great work). But whereas Ives' "Unanswered Question" echoes through an empty and uncomprehending universe, Carter's "bubbles up" (Symphonia is tied to Crashaw's 17th-century poem, "Bubble") in a shifting, kaleidoscopic assemblage of thoughts and experiences and observations. It then deftly gives way to the final movement, Allegro Scorrevole, which is somehow both subdued and full of energy. Taken as a whole, Symphonia is one of the greatest orchestral works of our century, yet it leaves you more thoughtful than exhilerated. Certainly, it's one of the most profound statements in the history of the arts of what the world looks like from the vantage point of ninety years."