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Ockeghem: Missa Mi-Mi / Rebecca Stewart, Cappella Pratensis
Ockeghem, Stewart Capella Pratensis
Ockeghem: Missa Mi-Mi / Rebecca Stewart, Cappella Pratensis
Genre: Classical
 
  •  Track Listings (10) - Disc #1

All gathered around a single music stand, the Cappella Pratensis sings from facsimiles of 15th-century manuscripts, adding plainchant between the movements of a Mass, using the pronunciation of Latin particular to the Low ...  more »

     
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CD Details

All Artists: Ockeghem, Stewart Capella Pratensis
Title: Ockeghem: Missa Mi-Mi / Rebecca Stewart, Cappella Pratensis
Members Wishing: 0
Total Copies: 0
Label: Ricercar
Release Date: 12/2/1998
Genre: Classical
Styles: Opera & Classical Vocal, Historical Periods, Early Music
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 182478377928, 3229262064026, 789368828128

Synopsis

Amazon.com
All gathered around a single music stand, the Cappella Pratensis sings from facsimiles of 15th-century manuscripts, adding plainchant between the movements of a Mass, using the pronunciation of Latin particular to the Low Countries in the 15th century--all in an effort to get as close as possible to the sound composers such as Josquin and Ockeghem intended. On this record, Rebecca Stewart and her singers bring their unique approach to Ockeghem's famously somber Missa Mi-mi--with extraordinary results. The Cappella doesn't have the robust sound or sense of momentum the Clerks' Group brings to this Mass; rather, their performance has a gentleness and an extraordinary stillness about it that feel genuinely devout. (Their singing of the chant in particular is quietly astounding.) The unusual timbre and exotic vowel sounds the Cappella Pratensis uses may take some getting used to (listeners who want a more conventional sound in this Mass will prefer the Clerks' Group or the Hilliard Ensemble), but anyone who loves Renaissance sacred music should hear this remarkable performance. --Matthew Westphal
 

CD Reviews

One of the most astounding recordings I've ever heard
Robert | Pasadena, CA | 02/07/2006
(5 out of 5 stars)

"Impossible to describe, this sets a new standard of excellence. The performance is flawless and utterly convincing."
The Fittest Don't Always Survive
Giordano Bruno | Wherever I am, I am. | 10/26/2007
(5 out of 5 stars)

"Cappella Pratensis was simultaneously the most scrupulous of choirs in terms of mean-temperament, historical pronunciation, and prolation, yet very bold and "spiritual" in affect. Apparently they're extinct, since none of their CDs are available on amazon currently. I searched for this recording of Ockeghem because it has been one of my favorites and I wanted another copy to send to a friend. But! There are samples available on amazon, minute-long fragments, well worth listening to as examples of what a choir should do to make sense of Renaissance polyphony. The chief virtue is precision of attacks -- consonants, when you get down to it -- which in turn makes possible the rhetorical independence of each vocal line of the polyphony, which in another turn makes the intense horizontal rhythmic progression of the music audible. A big fat luscious choral timbre is the enemy, and that's why skillful one-on-a-part performances are usually superior. Pratensis offered a bit of the best of both worlds. I'm sorry they perished. Fellow buyers, let's all unite in demanding a re-issue!"