Search - New York Art Quartet :: 35th Reunion

35th Reunion
New York Art Quartet
35th Reunion
Genres: Jazz, Pop
 
  •  Track Listings (8) - Disc #1

When the New York Art Quartet launched in 1965, the collective approach to improvisation in free jazz was still subordinate to whoever might be leading a session. Ornette Coleman's collective performances were his, just as...  more »

     
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CD Details

All Artists: New York Art Quartet
Title: 35th Reunion
Members Wishing: 1
Total Copies: 0
Label: Diw Records
Original Release Date: 2/22/2000
Release Date: 2/22/2000
Album Type: Import
Genres: Jazz, Pop
Style: Avant Garde & Free Jazz
Number of Discs: 1
SwapaCD Credits: 1
UPC: 634164093624

Synopsis

Amazon.com
When the New York Art Quartet launched in 1965, the collective approach to improvisation in free jazz was still subordinate to whoever might be leading a session. Ornette Coleman's collective performances were his, just as "Ascension" was John Coltrane's show. But John Tchicai, Roswell Rudd, Milford Graves, and Reggie Workman (initially the bass chair was Lewis Worrell's) created something wholly new: a bustling, freewheeling, boisterous mix that saw all members as equal participants. And they dug even deeper into the music when poet Leroi Jones (Amiri Baraka) came onboard. Here they are again, 35 years after their 1965 debut, celebrating a reunion that might well outlast their original recordings. Tchicai sounds as full of yearning as ever, Rudd and Graves as jam-packed with ideas that exceed all bounds, and Workman able (as ever) to follow the tide wherever it flows. They begin with Graves's polyrhythmic drumming and chanting then head into blustery playing that supports an increased role for Baraka and gets good drama from the poet's exhortations. The music is glorious, if you love skyward jubilation. Everyone in the band seems to love atmospherics and exultations equally. --Andrew Bartlett
 

CD Reviews

Revisiting a Milestone in Creative Jazz
Jay T. Conway | 10/14/2000
(5 out of 5 stars)

"Sure, this re-creation of the great New York Art Quartet comes decades after the group's inception, and aesthetic concerns have changed. But Amiri Baraka's in great form--hollering his poems over the bedrock of John Tchicai and Roswell Rudd. The band is a blowing gale, brassy and fat in the trombone and slippery and warm in the saxophone. Never mind any one-star reviews of this; it's gem-like in its complex refraction of the '60s avant-garde and that music's relevance beyond its time."
On the contrary
Jay T. Conway | Riverside, CA USA | 03/02/2001
(5 out of 5 stars)

"This review is intended to function as a corrective. The last reviewer contends he is a fan of NYAQ, Coleman...in short, a fan of avant-garde jazz, free-jazz, outside jazz (what Leroi Jones in his flawed but necessary work "Black Music" refers to as the new thing).To be honest, I find this hard to believe. I listened to this album driving home from a night class yesterday evening. I was blown away. Indispensable when you're stranded on an urban island. As for Baraka, it's somewhat fashionable to criticize his poetry as dated, as, in retro.spect, sophmoric. I strongly disagree. His voice was important then, and not a damn thing has changed to make it irrelevant. A beautiful, moving album. Grab it while you can hungry souls."