Search - Irving Aaronson, Nicholas Brodszky, Eduardo di Capua :: Mario Lanza: The Ultimate Collection

Mario Lanza: The Ultimate Collection
Irving Aaronson, Nicholas Brodszky, Eduardo di Capua
Mario Lanza: The Ultimate Collection
Genres: Dance & Electronic, World Music, Jazz, Pop, Classical, Broadway & Vocalists
 
  •  Track Listings (24) - Disc #1


      
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Member CD Reviews

RICHARD G. from MARIETTA, GA
Reviewed on 10/29/2009...
Great CD. Most of the songs are popular ones, rather than opera-type!

CD Reviews

Wonderful collection of Lanza music
D. MCGOVERN | 09/30/1998
(5 out of 5 stars)

"Memorable recordings from a young singer destined to become another Caruso before his untimely death. Had he survived, the current Three Tenors would have had to be Mario Lanza and The Other Three Tenors."
Good, but hardly "ultimate"!
D. MCGOVERN | New Zealand | 08/20/2001
(4 out of 5 stars)

"As a Lanza admirer of many years, I find this CD disappointing. True, there are magnificent recordings scattered throughout (Serenade, Beloved, E Lucevan Le Stelle, Drink! Drink! Drink!, etc) but there are too many weaker moments for the collection to deserve the accolade "Ultimate". The poorly reproduced Valencia, for example, suffers from pitch problems, and the ubiquitous Funiculi Funicula (oddly in mono here, for a change, with the singer pushed right back) does not represent Lanza at anywhere near his magnificent best. Ironically, this selection is the only below-par performance from his otherwise superb Neapolitan collection, Mario! Lanza At His Best.

The sound quality is inconsistent. Because You're Mine, for example, is reproduced here to dazzling effect with all the colors of Lanza's voice at their most gorgeous. Granada and O Sole Mio, on the other hand, suffer from even more distortion than usual, and the aforementioned Valencia has been inflicted with an echo chamber.

My other gripe is that inferior versions of several of the selections have been chosen. You'll Never Walk Alone is not Lanza at his best, and for a better performance seek out the alternate take on the CD of the same name. Vesti La Giubba and La Donna E Mobile, though good, are not in the same class as his later recordings of these arias.

Still, as introductions go, this release basically serves its purpose. And if there is one day an "Utimate Collection, Volume 2", may I suggest that BMG considers such gems as Lanza's 1949 Che Gelida Manina from "La Boheme", M'appari from "Martha", the Improvviso from Andrea Chenier and his unsurpassed Otello Monologue. Let's also not forget his thrilling Some Day (the 1951 Coke performance and *not* the illness-affected 1959 rendition, please note!), the gorgeous A Vucchella and Lanza's own favorite recording, the haunting Voce E Notte. Such a collection would offer a truer sampling of Lanza's versatility and vocal prowess."