Subject: I have found a CD that I think you would enjoy
Genres: Jazz, Special Interest, Pop
Bass Desires has become a recurring concept since this 1985 date, when it was merely the title of a CD and not a band. But the two-guitar quartet has a special appeal to bassist-leader Marc Johnson, who's joined here by dr... more »
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Bass Desires has become a recurring concept since this 1985 date, when it was merely the title of a CD and not a band. But the two-guitar quartet has a special appeal to bassist-leader Marc Johnson, who's joined here by drummer Peter Erskine and celebrated guitarists Bill Frisell and John Scofield. A study in the stylistic contrasts and shared values of the two six-stringers, Bass Desires shows off Scofield's linear, rapid-fire and hard-edged attack and Frisell's floating solos that use guitar synth to bend lines with elastic flexibility. Johnson's Japanese-themed "Samurai Hee-Haw" has Scofield tempering his funk with touches of hoedown, while Frisell adds atmospheric waves of sound to the folk ballad "Black Is the Color." Johnson is a superb melodist, apparent particularly in his unaccompanied introduction to the "Resolution" theme from John Coltrane's A Love Supreme, where Johnson's solo space builds toward strong work from both guitarists. All the tunes show thought, with Erskine's title tune setting a slow-moving theme against a fast tempo he and Johnson set down. The group is a format that seems to work for all concerned, with Frisell and Scofield clearly thriving on one another's presence, as well as with the rhythm section. --Stuart Broomer
A Bit Worn Production-Wise But Still a Classic
David T. Foster | 08/09/2005
(5 out of 5 stars)
"Before the days of Amazon I bought this CD on one of my infrequent trips to a "hip" record store back in 1987. I subsequently listened to it probably at least 200 times and still return to it occasionally with great joy.
This is one of the all-time great examples of improvisatory music involving two guitars. The interplay here is just amazing. When Scofield solos on "Resolution," it just seems like Bill Frisell, Marc Johnson, and Peter Erskine are GLUED to him. Every twist and turn of his solo brings forth complimentary jabs, thrusts, and DRIVE from the rhythm section. It is truly awesome.
The first two songs are the easy standouts; "Mojo Highway" is almost as good. It's worth the purchase price (especially a used price) for those three tracks alone. The rest is not quite as engrossing but is still very good. Almost 20 years later I still think this is some of the best guitar jazz ever put down.
Yes, it's quite clear it was recorded in the late 1980s, when even JAZZ was affected by the production trend toward copious amounts of reverb. Get past that -- and this CD will reward repeated listening."
Lovblad | Geneva, Switzerland | 03/09/2006
(5 out of 5 stars)
"This is one of the best ECM recirds ever. The sound is perfect and the playing simply blows your mind. Also there are both Bill Frisell and John Scofield on the record. Unique."