Search - Franz Liszt, Dag Achatz :: Liszt: Piano Works

SKELETONS IN THE CLOSET

Melvyn M. Sobel | Freeport (Long Island), New York | 03/31/2003

(1 out of 5 stars)

"The idea of hearing assorted Liszt piano works on the actual late 19th century Chickering instrument used by the composer [and later bequeathed to the Royal Hungarian Academy of Music in Budapest] may precipitate a surge of "authentic" excitement, but it is short-lived, unfortunately. Due to the nature of the piano itself (e.g. a "pinging" in the upper register, decreased sustaining ability, the absence of full tonality and, most obvious, a distinct hollow, clunking of the keys and hammers), or pianist Dag Achatz (who is perhaps, given the benefit of the doubt, a mite unseasoned in the idiosyncrasies of the Chickering, rather than simply insensitive to the music), or an unhappy combination of both, these Liszt works sound amazingly amateurish, completely uninspired, clangorous and claustrophobic. After ten minutes' listening, aural fatigue rages and any historical interest quickly dissipates. The BIS recording, as well, with its usual clarity and definition brings out every blemish in instrument and performance, alike.[Running time: 49:10]"