Search - Leonard Feather :: Presents Bop

Presents Bop
Leonard Feather
Presents Bop
Genres: Jazz, Pop
  •  Track Listings (10) - Disc #1


CD Details

All Artists: Leonard Feather
Title: Presents Bop
Members Wishing: 0
Total Copies: 0
Label: Vsop Records
Release Date: 6/24/1997
Genres: Jazz, Pop
Styles: Swing Jazz, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 722937001225

CD Reviews

Another Charlie Parker tribute album (sigh)
J. A. Stewart | NH, USA | 09/17/2003
(3 out of 5 stars)

"This album was originally issued under the title of "52nd Street," and was supposed to be a tribute to the bop era, but since all but one of the tunes are associated with Charlie Parker (and that one tune, "Lemon Drop," was one that he did play at least once), this disc ends up being more of a tribute to Bird than to that era. Feather, who produced the sessions, was obviously trying to recreate the sound of the original sessions, right down to the short track times. There are a couple of gimicks here. Phil Woods is heard playing a sax originally owned by Bird (Bird went through countless horns during his life) and Bird's son, Baird (who was only about 9 at the time) does the "Salt Peanuts" vocal in the beginning of that tune. Phil Woods plays well throughout and takes several memorable solos. The trumpet chair is split between Thad Jones on tracks 1-5 (not 6-10 as printed on the CD insert) and Idrees Sulieman on 6-10. Sulieman plays in a Dizzy-influenced style, but is not particularly memorable. I think Thad's style was somewhere between Miles and Clifford since you can hear elements of both in his playing. It is shame that the tracks are so short (most of the time, everyone only gets 1 chorus), because he is generally the most interesting. The pianist is George Wallington, who was in the thick of things in the early days of bebop. On bass, is Curley Russell. Russell was Bird's favored bassist and he appeared on several landmark recordings in the beginning of the bop era. On drums, is Art Taylor on tracks 1-5 (not 6-10 as it says on the CD insert) and Denzil Best on tracks 6-10.
Only one track, "Now's the Time," (incorrectly labeled as "Billie's Bounce") is longer and allows the soloists a chance to stretch out. Considering that this was recorded in 1957, the solos could have been a little longer. As it is, I gave it three stars for Phil Woods and Thad Jones. This is nice swinging jazz, but nothing special."